583 Royalty-Free Audio Tracks for "Level"

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Ambient recording of the 2nd exhibition level of the "museum der bildenden künste" (museum of art) in leipzig/germany. Voices can be heard in the far distance, along with the rythmic ticking of the hydraulically powered art-installation "heart of a mountain". This file is part of the sample-pack "muzeum"recording was conducted with a zoom h2 with the internal mics set to 90° dispersion.

This sound is made by my old continuity meter when the contacts are moved around. The clicking sounds similar to that of a more modern geiger counter or dosimeter. I have heard a few over the internet and some of them produce a beeping noise when the max range of radiation level is reached. Please feel free to used this sound. And remember to rate and comment. Thank you.

Group of 12 australians waiting around in a home theatre in tasmania, before the cartoons and shorts begin. Recording level lowered at 0. 30. An open fire crackles occasionally in the background. Six more people arrive as the recording progresses, raising the hubub. Near the end, a bell rings to tell people the show is about to start. Recorded on a marantz pmd 661, 6 september 2019, 7:23 pm, with a rode nt4.

Bowed cymbal swellsrare 18" zildjian eak crash rideviolin bowrecorded in 24 bit at 48khz with an mxl 603 mic through yamaha mg16xu mixer and motu audio express a/d in reason 6 with subtle modulation and filtering. Clips are cut from track with no fade-in/out. July 21st 2015 high noon in nyc during very hot-feeling 88º with high low-level ozone and abusive humidity of 74%.

Impulse response recorded from a bursting balloon in the st. Carolus church in vienna/austria (karlskirche). Measured reverberation time (rt60) is 5. 0 seconds average. Recorded with a measurement microphone k4 by arnold esper on the ground level of the church, 8 meters distance from the source. For measurement and analysis purpose, can be used as convoltion reverb also.

Sound of a small hummingbird recorded by the NPS. Public domain sound so have fun with it.

A game style sound effect for when a player receives a power up - or at least that's what it was intended for, but it could also be used for other things, too. Have fun using it!. Thanks for listening!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

I just pitch up my voice where it's at a comfortable level and not at the highest peak in pitch. I slowly ease into the vocal sound to avoid any vocal damage. While i'm easing in there's a very quiet high pitch whistle coming from the back of my throat, too quiet for the microphone. Sometimes while recording i do get a squeak and a crackle sound that gets picked up, but none of that here.

Iphone recording of a group of people sitting in a theatre in downtown boston, ma, prior to a film screening. The room was perfectly tempered and acoustically treated, and people were talking at a relatively normal level without echo or reverberation. It was too good to pass up recording it. At first, there are people talking near by, but towards the end, i am further back and the group chatter effect can be noticed in whole.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

Bird song of the Hermit Thrush. The Hermit Thrush is the state bird of Virginia, and has often been attributed to poetry.

This is a very lowfi recording of a xerox workcentre 7345 actually performing a copy of a single page. Includes a button beep at the start, fan noise, servo motor sounds, paper sorter moving sounds and lots of other mechanics being moved around. You really get an idea how complicated these modern machines are. . :). The bitrate is only 13 kbit/s and the resulting audio quality not very good, but the file size is really small. Maybe audio level needs normalizing, though.

Recorded on february 9, 2001 in an old appartment complex lobby on the 2nd floor. We held a fundraiser for a local charity and it included a place for people to get together, play board games and an n64 was set up. The sound features three people including myself playing a multiplayer level of donkey kong, people chatting, the heater running, elevator, faint backgroudn music and the sounds of the nearby hallway.

A wonderful typical mid-summer soundscape of cicadas, and some katydids recorded on the edge of a small town in illinois. Towards the end of the recording you will hear a very cool doppler-effect as the truck passes from right to left. Recorded about 8:00 at night with my zoom h4-n recorder using it's internal microphones. I had the volume level set fairly high -- 80 -- so you will probably also hear the constant hum of the various central air conditioning units. .

Assisted breathing for my agonizing friend the day before he died. He told me that the sounds bothered him (morphine made him sensible to ears), that everything was magnified, so i raised the input level to 9, removed the lo-cut and the limiter in order to better understand how he perceived it. He died listening to the annoying noises of the environment, but he will not suffer anymore. See you never more my dear friend. Recorded using zoom h1n (70% of battery when recording).

[flamethrower_shot. Wav]. Electric shot, or death sound effect!. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

A 1khz wave, often used as an effect for a flatline, test pattern, censorship, etc. This one more for effect (such as a movie) than a test tone. There's a nice stereo effect to make it more exciting, made by producing it as a sine wave for the left channel and a triangle for the right. The sine wave is at a slightly lower volume to make the 1khz fundamental the same volume level in both channels.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

[high_score_01. Wav]. High score!. This sound can for example be used in games, for example triggered when the player has reached a new high score - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

[high_score_02. Wav]. High score!. This sound can for example be used in games, for example triggered when the player has reached a new high score - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I recorded this sound with the microphone from the logitech quickcam for notebooks pro. I know, the webcam is really old but i happened to find it from my brothers room and used it for a microphone replacement. You may say it distorts a lot, but that's just because the original setting of level is 50+ db. Now onto the topic. I spinned the usb cord around the end, and tried to do it fast enough to create this sound. This is a modified sound from its original. Spectral editing in audacity has been done.

This is an aif (garage band) file of just good ol' tape hiss recorded from a jvc tape machine (cassette). It's just tape hiss. You can change the freq to help blend it in your recordings. I have the volume on this at a higher level. When i blend this with my digital recordings i turn it down just enough to hear it without it being too analog sounding. Hope you can use it. It's great for soft passes and solo instruments, much like white noise of a studio perhaps.

A canadian pacific freight train hauling 98 fuel tankers of crude oil traveling eastbound through toronto. Recorded at barlett avenue level crossing in toronto on july 29, 2014 at 11:43am. See video of this sound here: https://youtu. Be/9z7mxdqlpwi. As a courtesy if you download my sounds please subscribe to my youtube channel: https://www. Youtube. Com/user/mycompasstv thanks!. ► support us via paypal: https://www. Paypal. Me/mycompasstv many thanks!.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

Capoeira mestre calango was nice enough to do a couple of short recordings on the berimbau for me. A berimbau is a one stringed instrument with the string made from the inside liner of a truck tire, it has a claxia(sp?) a shaker with it and is modulated by placing the gourd against the stomach and removing it. Done with hdp2 and two sennheiser mics 66 67, was in 24 bit 96khz, downconverted to 16b at 44. 1, a relatively clean recording at a very high level.

Stereo recording of a steam train leaving moor street station in birmingham in the direction of snow hill station, going into a short tunnel as soon as the engine leaves the platform. 4-6-0 hall class locomotive pulling a train of vintage carriages. Steam hiss, guard's whistle clearing the driver to leave the platform, coal being shovelled into furnace, piston starts to move, speeds up, train whistle (brief), sound of the steam locomotive fades and carriage bogey noise. Recorded on a zoom h2 with built in microphones, in 'mid' sensitivity level, hand held.

This is a very clean recording (no voices or words that can be made out) of a 737 in flight from inside the passenger cabin. We were seated directly behind the wing. It's just a great recording of what the sound level actually is inside a 737 at altitude. It's a surprisingly low rumble and a true white noise. Enjoy!. - christopher c. Courter.

Here you can listen to a bike, then a car, by night, on the same straight desert wet road. Note the differences of the sound duration and the sound volume. The night is quite silent, only some discreet water drops. The road is wet. Same mic position (10m high in a metelilic structure 10m from the road), same record level. Recorded with 2 clippy em172 in an ab setuprecorded on zoom f3, originaly recorded at 32bits floatwave stereo, 24bits, 48khz. France, nov2022.

A high-quality recording of a quiet day on the steps in front of the st. Ursen cathedral in solothurn, switzerland. You can hear the two fountains which build the background sound. Also, there are tourists and swiss people walking nearby and talking. The sound was recorded in 24bit on a professional zoom recorder with the xyh-5 stereo microphone. For postprocessing, only unwanted noises were cut from the recording and the overall sound level was raised.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording begins at about 12 fps. Microphone was facing the non-roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the gate at 4. 37 and becomes free of the last roller at 4. 40, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording is about 16 fps. Microphone was facing the roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 4. 05 and becomes free of the last roller at 4. 09, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Two "line audio" om1 next to our bird feed. 1 microphone on each side. 2 meters between them. 50 cm behind the feed. The level is set to +60 db on zoom f4. Due to the desire to hear how the om1 microphones sound, this sound will be published. It may be more later. No editing of the sound. Equipment usedmikrophones 2 om1(line-audio)wind protect röde ws8recorder zoom f4.

A recording of a high school class. Students were working on a sound effects project on computers, but generally allowed to talk as they worked. This is maybe 18 students, with the mic about 10 feet away from the nearest student, mic towards one side of the room, pointed towards the middle. We also have ac on, and an av cart that has a fan on, plus a wall clock, some of which you may not be able to hear over the students. Mic was the zoom h1 set to record a wav file, record level manual, low pass filter engaged, with the quality settings at the highest values. It was then put through audacity to amplify it to the highest allowable levels without distorting, and spit out as a wav.

A pedestrian crossing in the inner city of stockholm/sweden, on the intersection of the mäster samuelsgatan and the drottinggatan. It is a rainy afternoon and there is a fair amount of pedestrian and automobile traffic underway. The recorder is on street level, pedestrians can be heard speaking swedish, german, russian and a variety of other languages. Near the end of the recording, a can rolls across the pavement near the crossing. Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Recorded on the shortest day of the year at the edge of a lake where the wind was gusting from the south at 15 to 20 miles an hour. At the beginning you hear some geese in the distance. This recording was made using my sony pcm m-10 with it's internal microphones set to level 5 input volume. I actually placed the recorder, carefully, in a crook of some branches in an oak tree about 5 feet above the ground---very near a big clump of dead and brown oak leaves. . . . This gives you that wonderful sound of the wind hissing through the leaves.

Made back in 2005 for a slasher rap beat on fl4 or 5. . Used strings and a dark pad, also a slap bass. I was really into bone thugs n harmony back then, so i really wanted to take the gangsta feel to a whole different level. . It just turned into a slasher thriller horror type beat. . Ofcourse i took the beat off bc i wanted to share only the score. . If used on anything , i would like to watch or listen. If making for a scene, maybe i can extend it for you , hit me up.

A recording of an eastern phoebe, made near a creek in a typical midwest oak/hickory/sycamore forest. This very unique, two-note call, which you may have heard before, is, in my opinion, very beautiful despite it's short duration. Despite this bird's non-colorful plumage, his song makes up for it!. Recording made on april 10th, 2013 around 6:45 in the morning about 15 feet from a small creek. My recorder, the zoom h4n, was mounted on a tripod in the middle of the creek. I was using the h4n's built-in microphones. Volume level was 80 (on a scale of 100 being the maximum).

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.

A sample from a quick flight that i took with a friend on september 8th, 2015. Audio was recorded with a zoom h5. You can hear the engine start, then we idle on the runway for a bit, and you'll hear us make a proper takeoff at about 13:30. After that it generally sounds the same. You'll hear when i crank the level down after takeoff, but you'll be able to easily compensate for it if you're serious about needing sustained flight noise for a small plane. The plane was a 1964 cessna 172e and were flying around vancouver, bc.

A short soundscape built from the following public domain freesounds. Originally put together for an audio drama for misfit's audio to replicate the sounds of construction taking place beneath ground level, hence the reverb. There is also a version in the same pack without the reverb. Circular saw: http://freesound. Org/people/organicmanpl/sounds/198779/'saw of avalon': http://freesound. Org/people/mauxuam/sounds/216828/drill: http://freesound. Org/people/richerlandtv/sounds/216493/hammer: http://freesound. Org/people/dvideoguy/sounds/207782/general construction: http://freesound. Org/people/abouch/sounds/181184/.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was about 9 fps. Microphone was facing the gate of the projector, 10 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 7. 10, exits the gate at 7. 22, and becomes free of the last roller at 7. 30, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Stereo recording of rain at bogota city, around 5:00 p m on november 2015 at 67th street with 9th av. At the beginning the sound of thunder overload the audio signal because high level of decibels produced for high pressure levels. Recorded with zoom h4n recorder, with x, y mics at 120 degrees. Grabación en estéreo de lluvia en la ciudad de bogotá, alrededor de las cinco de la tarde, en noviembre de 2015 sobre la calle 67 con carrera 9. Al inicio suena un trueno cercano que satura un poco la señal de audio por los decibeles producidos por la presión sonora. Se realizó con una grabadora profesional portátil zoom h4n, con micrófonos en disposición x, y a 120 grados de apertura de la imagen estéreo.

Large river rapids running strongly after winter rain. Recorded approximately fifty feet above water level. The river flows and turns through a narrow, high, partly exposed bedrock canyon which likely amplifies the sound of the rapids. The first nine seconds are unedited. The last two seconds have a fade out applied. In summer you can walk where the centre channel is in winter, so this is a lot of water moving swiftly down the cowichan river to the salish sea. Also see the companion audio posting "river-canyon-waters-edge-bottom-step. Wav" taken below the height of this recording. Recorder: zoom h1 n. Audio quality stereo 48000 hz.