1,744 Royalty-Free Audio Tracks for "Las"

This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.

Sound of cicadas during a summer day in a village in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son de cigales lors d'une journée d'été dans un village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.

Sound of a water wheel in a village from south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une roue à aubes dans un village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of thunderstorm during a summer day in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son de tonnerre lors d’une journée d’été dans le sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Car horns in street protest. Horn sounds during a protest in mendoza, argentina (outdoor). September 29, 2020, in the afternoon. Recorded in wav with zoom h1, compressed in flac (lossless) with flac frontend. Bocinas de autos en manifestación callejera. Toma de sonido exterior de bocinas en manifestación en la ciudad capital de mendoza, argentina. 29 de septiembre de 2020, en horario de tarde. Grabado en wav con zoom h1, comprimido en formato flac (sin pérdidas) con software flac frontend.

Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.

Euskara: Urtero San Pedro eguneko meza nagusia bukatu ondoren abesten den ereserkia. Mendi abesbatzak kantatua eta 1998. urtean Santa Ceciliaren inguruko kontzertuan kantatu zuten lehendabiziko aldiz. Hitzak Gora Doneztebe! Zabaldi ederra Mendaurren oñian etxe sorta txuria eliz itzalian karrika txukuna txukunen artian berdin gabea zera Napar alderdian Baztan aldetik dator ugalde zabal ta argia Ezkurra ta Labaindik erreka garbi ta ugaria bihori emanaz besarkada eztia Bidasoa ibaiari ematen diozu bizia Gora Doneztebe, gora Doneztebe! San Pedro eguna, egun berezia doneztebarrendako besta nagusia alaitsu dabila gure gaztedia bai zarretatik ere gauza dan guzia plaza berrian esku ta guantez jokatuko dute ta ilunabarrez neska mutilek dantza lertu arte alaitu zaitezte bai zar eta gazte alkartu eta ohiu eginaz: gora Doneztebe! Gora Doneztebe, gora Doneztebe! Cada año el día de San pedro se canta al finalizar la misa mayor. Cantado por la Coral Mendi abesbatza. Letra Gora Doneztebe! Zabaldi ederra Mendaurren oñian etxe sorta txuria eliz itzalian karrika txukuna txukunen artian berdin gabea zera Napar alderdian Baztan aldetik dator ugalde zabal ta argia Ezkurra ta Labaindik erreka garbi ta ugaria bihori emanaz besarkada eztia Bidasoa ibaiari ematen diozu bizia Gora Doneztebe, gora Doneztebe! San Pedro eguna, egun berezia doneztebarrendako besta nagusia alaitsu dabila gure gaztedia bai zarretatik ere gauza dan guzia plaza berrian esku ta guantez jokatuko dute ta ilunabarrez neska mutilek dantza lertu arte alaitu zaitezte bai zar eta gazte alkartu eta ohiu eginaz: gora Doneztebe!

Ambiance of thunderstorm and rain during a summer day in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance d’orage et de pluie lors d’une journée d’été dans le sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

On the mountain chacaltaya, thunderstorm begin : lightning, thunderclap, snow and hail. . . Sound recorded by a ms setup schoeps ccm41+ccm8 with a cinela zephyx rain protectionsound devices 788t recorder with cl8ms is encoded in stereo left-rightrecorded in february 2014 in chacaltaya mountain, above la paz, bolivia. Sound reference: @sam140207016same sound on souncloud http://soundcloud. Com/felixblume/chacaltaya. More sounds on http://www. Felixblume. Com/. Please rate or comment the sound if you like it!.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

Registro de antropofonía realizado en el baño de un apartamento, de un conjunto residencial ubicado en el norte de la ciudad de cali, colombia, el día martes 28 de abril entre 6:30 y 7:00 a. M. En el que se puede escuchar el inicio del lavado de dientes de una persona. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Anthropophony recorded in an apartment’s bathroom, in a residential complex located in the north area of cali, colombia, on tuesday, april 28th at 8:00 a. M. In this recording we can hear a person brushing their teeth. Device and software: huawey p20 lite + lexis audio editor.

Ambiance of wind in trees during a summer day in south of france. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance de vent dans les arbres lors d’une journée d’été dans le sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of motorcycle and bikes passing on a road in south of france, near mont ventoux. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une moto et de vélos sur une route du sud de la france, près du mont ventoux (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of motorcycle and bikes passing on a road in south of france, near mont ventoux. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une moto et de vélos sur une route du sud de la france, près du mont ventoux (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Typical sound of a spanish mobile grinding shop with its high-pitched whistle. It's a quiet sunday morning in madrid's outskirts and this car loudly announces its services with a speaker. Transcription: 'ha llegado el afilador a su domicilio, a la puerta de su casa. Se afilan cuchillos, tijeras, cuchillas de césped, tijeras de podar y toda clase de herramientas. Pídanos presupuesto sin compromiso. El afilador en su propio domicilio. '. Translation: 'the knife sharpener has reached your front door. Knifes, scissors, mowing blades, pruning shears and all kind of tools may be sharpened. Ask for a free quote. The knife sharpener is at your home. '. Recorded with a huawei smartphone.

Català. 11 de març de 2023. La vida és bona si l'aigua sona. Passejada per les fonts de collserola en temps de sequera. Font de mina. Mesura de l'indret amb el sonòmetre a les 11:59 del matí d'un dissabte, persones passejant i fent esport que parlen. Min 25,10 dbmitjana 55,5 dbmax. 72,5 db. English. March 11, 2023. Life is good if the water sounds. Walk through the collserola springs on drought timemine source. Measurement of the place with the sound level meter at 11:59 a. M. On saturday, people walking and playing sports talking. Min 25. 10 dbaverage 55. 5 dbmax. 72. 5 db.

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

Sound of a walking in forest, in a south of france's forest during summer. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une marche en forêt lors d'une journée d’été dans une forêt du sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Ambiance of a village square (music, restaurant, people,. . . ) in a little village from south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance d'une place de village (restaurant, discussion, musique,. . . ) dans un petit village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

Street celebration for the boca juniors fans' national day (first celebration in december 12, 2012), in the center of mendoza, argentina. Explosions, football's chants, etc. Recorded in mono with a samsung galaxy 5 (gt-i5500) cell phone in flac with "tape recorder" app. Festejo callejero por en día nacional del hincha de boca juniors (primera celebración 12-12-2012), en el centro de mendoza, argentina. Explosiones, cánticos de fútbol, etc. Grabado en mono con un teléfono celular samsung galaxy 5 (gt-i5500) en formato flac con la app "tape recorder".

Sound of a walking in forest, in a south of france's forest during summer. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une marche en forêt lors d'une journée d’été dans une forêt du sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a walking in forest, in a south of france's forest during summer. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une marche en forêt lors d'une journée d’été dans une forêt du sud de la france (vaucluse). Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.

Eng:this audio recording is a " genòfon "the "genòfon" (genophone) is an intercom device that was used in the mine in the mid- twentieth century. The device used in the company carbones de berga sa and now you can find the mine museum: "museu de les mines de cercs" (berguedà-catalunya). To visit the museum: http://www. Mmcercs. Cat/museu_nou/inici. Phpcat:aquest audio es tracte de l'enregistrament d'un genòfonel genòfon és un aparell intercomunicador que s'utilitzava a la mina a mitjans del segle xx. L'aparell enregistrat el va utilitzar l'empresa carbones de berga s. A. I actualment es pot trobar al museu de les mines de cercs al berguedà. Per vistar el museu: http://www. Mmcercs. Cat/museu_nou/inici. Php.

Binaural recording of the traditional celebration of correfoc during the festival of "la mercè 2016" in barcelona. From wikipedia:. "correfocs (catalan pronunciation: [ˌkorəˈfɔks], western catalan: [ˌkoreˈfɔks]); literally in english "fire-runs") are among the most striking features present in catalan festivals. In the correfoc, a group of individuals will dress as devils and light fireworks - fixed on devil's pitchforks or strung above the route. Dancing to the sound of a rhythmic drum group, they set off their fireworks among crowds of spectators. The spectators that participate dress to protect themselves against small burns and attempt to get as close as possible to the devils. . . Running with the fire. Other spectators will watch from 'safe' distances, rapidly retreating as necessary. ".

This sound is a mix of analog sound and digitally created sound. I recorded the sound of a coffee machine. Then on audacity, i generated a tone and modified its envelope. I changed the levels, added effects as reverberation and echo. I put melted at opening and closing in purpose to pretend something was taking off and landing. At first i wanted to create the atmosphere of a spaceship. But after that it looked more like a vacuum noise. I tried to modify amplification and added again echo and reverberation to make it sound more like a weird ufo. Code selon la typologie de schaeffer : vprécisions morphologie :masse : son canneléstimbre : ternegrain : rugueuxallure : chevrotementdynamique : l’attaque du son est graduelleprofil mélodique : variations serpentinesprofil de masse : site.

Registro de baja fidelidad, realizado a medio camino entre el cuarto de máquinas de un conjunto residencial ubicado en el norte de la ciudad de cali, colombia y el cuarto de descanso de trabajadores de oficios varios del mencionado conjunto, el día martes 28 de abril entre 6:30 y 7:00 a. M. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Low-fidelity recording, captured halfway between the boiler room and the workers rest area of a residential complex located in cali, colombia, on tuesday, april 28th, between 7:20 and 7:25 a. M. Device and software: huawey p20 lite + lexis audio editor.

The national anthem of China, the "March of the Volunteers", performed by the United States Navy Band and uploaded to the Wikimedia Commons by Keith Lehwald. Italiano: L'inno nazionale della Repubblica popolare cinese: la "Marcia dei Volontari", suonata dalla banda della marina statunitense. 中文（简体）：中华人民共和国国歌《义勇军进行曲》，美国海军乐团演奏 中文（繁體）：中華人民共和國國歌《義勇軍進行曲》，美國海軍樂團演奏

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.

Sound of a hybrid car, on a road in south of france. For your information, the car is a porsche cayenne s hybrid. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une voiture hybride sur une route du sud de la france (vaucluse). Pour votre information, il s’agit d’une porsche cayenne s hybird. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Songː "Pato cua cua". Authorː Juan Rodríguez (1895-1928). Played byː Julio De Caro y su Orquesta Típica. Recorded in Nov 15th 1926. At 1926 the orquestra (sextet) had the following integrationː Bandoneons: Pedro Laurenz & Armando Blasco. Violins. Julio De Caro & Emilio De Caro. Piano: Francisco De Caro. Bass: Enrique Kraus. Temaː "Pato cua cua" (tango). Autorː Juan Rodríguez (1895-1928). Interpretado porː Julio De Caro y su Orquesta Típica Grabado el 15 de noviembre de 1926. La Orquesta en 1926 estaba integrada por Bandoneones: Pedro Laurenz y Armando Blasco. Violines. Julio De Caro y Emilio De Caro. Piano: Francisco De Caro. Contrabajo: Enrique Kraus. Pedro Laurenz (1er bandoneón), Armando Blasco (2do bandoneón), Julio De Caro (1er violín), Emilio De Caro (2do violín), Francisco De Caro (piano), Enrique Krauss (contrabajo).

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este segundo audio, el sonido es de una moneda que está arañando la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, wahwah y reverberación. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this second audio, the sound is a coin that it was scratching the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, wahwah and reverb.

The story begins by a music that i found. A open door, heels, then silence, a chair, computer sounds with mouse, retake of music and close of the door. , who is the ending of music too. To produce that, i choose audacity; i take recorded moments of life. For the technique, i choose a fade in and fade out for the music and the recorded sounds fit well together. For the moments of silence, when the work begins, i only let the recorded sound talk without music. I choose to work with two mono audio tracks: on for the music and the other for the daily sounds. Descriptif selon la typologie de schaeffer. 1. Masse : son dit “cannelés”2. Timbre harmonique :3. Grain : rugueux4. Allure : non vibrato5. Dynamique : abrupte6. Profil mélodique : tentatives de variations glissantes7. Profil de masse : son cyclique avec des moments doux puis un peu plus fort.

Registro de biofonía realizado en uno de los costados de un conjunto residencial ubicado en el norte de la ciudad de cali, colombia, que da a un área no habitada, cubierta de vegetación y vida silvestre, el día martes 28 de abril entre 6:00 y 6:10 a. M. En él, se percibe sobre todo el trinar de unos pájaros. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Biophony recording, captured on one of the sides of a residential complex at the north area of cali, colombia. This is next to an empty and inhabited space, covered with vegetation and the presence of wildlife. This was made on april 28th, between 6:00 and 6:10 p. M. In this recording we can clearly perceive the chirping from birds. Device and software: huawey p20 lite + lexis audio editor.

Brindisi from La Traviata performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 7 from Fire Dance (2012). Recorded October 24-27, 2011 at Holland Performing Arts Center, Peter Kiewit Concert Hall, Omaha, NE. Credits: Alto Saxophone – MSgt Jeremy Koch*, CMSgt William Marr* Alto Vocals – SMSgt Angela L. Burns*, TSgt Emily Lewis*, TSgt Julia Brundage*, SMSgt Linda C. Waring* Baritone Saxophone – TSgt Ricky Parrell* Bass Clarinet – MSgt John Romano* Bass Trombone – MSgt Jay Heltzer* Bass Vocals – TSgt Benjamin Park*, MSgt Eric Sullivan*, MSgt Matthew Irish*, SMSgt Robert S. Harrelson*, MSgt Ryan Dolan* Bassoon – TSgt Eddie Sanders III*, TSgt Sandy Sisk* Cello – Erin Espinoza, Justin Lewis (7) Choir – Singing Sergeants (tracks: 6-12) Clarinet – TSgt Ani Berberian*, TSgt Benjamin Bowers*, MSgt Brian McCurdy*, TSgt Brian Wahrlich*, SMSgt David Stump*, MSgt Julianna Evans Arnold*, TSgt Laura Henry*, MSgt Melinda Burts*, TSgt Sara Wollmacher* Clarinet [Eb] – TSgt J. Blake Arrington* Conductor – Col A. Phillip Waite*, Colonel Larry H. Lang* Cornet, Trumpet – TSgt Blakely Carroll*, MSgt Christian Pagnard*, SMSgt Curt Christensen*, TSgt Kristopher Westrich*, SMSgt Robert McConnell*, TSgt Valentin Lukashuk* Double Bass [String Bass] – SMSgt Chris Kosky*, MSgt Matthew Murray* English Horn – TSgt Kevin Darrow* Ensemble – The United States Air Force Concert Band* Euphonium – MSgt Jennifer Dayton Cox*, TSgt John Cox* Flute – MSgt Jennifer Moore*, SMSgt Stacy Newbrough Ascione* French Horn – TSgt Joel Wealer*, SMSgt Kent Wyatt*, MSgt Philip Krzywicki*, SSgt S. Renee Parcell*, MSgt Tara Islas* Harp – SMSgt Eric Sabatino* Keyboards – SMSgt Mitchell Morton* Oboe – TSgt Kevin Darrow*, MSgt Tracey MacDonald* Percussion – TSgt Adam Green*, MSgt (Ret) Aubrey Adams*, MSgt Joe Reynolds*, MSgt Marc Dinitz*, TSgt Randy Gorman* Piccolo Flute – TSgt Megan Neal* Soprano Vocals – MSgt Anne Seaton Baker*, CMSgt Carol Hawkins Wiley*, SMSgt Christine Adamick Germain*, TSgt Mandi Harper*, SMSgt Robin Askew McConnell* Tenor Saxophone – MSgt Jake McCray* Tenor Vocals – MSgt Bradley S. Bennett*, TSgt Joseph Haughton*, TSgt Taylor Armstrong* Timpani – SMSgt Erica Montgomery* Trombone – TSgt David Rosengaft*, TSgt Matthew Nudell*, SMSgt Michael Piersol* Tuba – MSgt Brian Sands*, CMSgt Jan Duga*

A recording of flushing the toilet’s water, followed by a groaning door closing sound. Production stages : this sound was originally recorded by a group of students at university lyon 3. Then it was imported to audacity where few modifications were made. First of all, the record was precisely cut so there are no human voices in the background. Then, the sound was normalized and slightly compressed before applying the noise reduction effect. Last, but not least a constant gain was added at the beginning and lightly fading effect took his place at the end. Son du type x (continu complexe)c’est un groupe nodal des sons saturés avec une hauteur variée, suivis d’un bruit d’une haute hauteur. Le son est cannelé et constant et finisse par le son de la porte qui est métallique et aigul’attaque du son est rapide et forte, plutôt abrupte. Le grain est frémissement et rugueuxet l’allure est naturelle, désordonnée et aléatoire.

A recording of ringing a bicycle bell, slowed by 64%. Production stages- first of all we recorded the sound of a bicycle bell, then i imported it to audacity. I cut the beginning as well as the end, adding a constant gain at the beginning and a constant fade at the end so that the sound would be even more harmonic. Then i slightly compressed the sound, and normalized it. Then i used a “noise reduction” in order to get rid of the sound in the background and a slight equalizer. Ce son est de type v- continu varié. Dès le début il augmente avec les vibrations de la sonnette. C’est un son cannelé. Il est harmonique et résonant et ressemble à une cloche, mais est en fait une sonnette d’un bicyclette ralenti à 64%. Il est lisse et comporte des vibrations (vibrato). L’attaque au début est graduelle, douce, clair, riche et saturé. Il y a des variations scalaires qui nous ammenent à un pic clairement montré. C’est un son énergique et joyeux.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

Euskara: 2010. urtean konposatu zuten Mikel eta Poti Rekartek, hitzak Txomin eta David Mindegiak, Mikel Rekartek; Armonizazioa eta partitura Ainhoa Sanz eta Cecilia Otaegik; ahots nagusia Alberto Zunzarren, koruak Xabier Bañares, Pascual Bertiz, Joxe Irigoien, Juan Telletxea, Javiertxo eta Lorena Almandoz, Pablo Elizondo, Ibai Marizkurrena, Mikel Rekarte, Izaro Martín, Maite Urreaga, Maialen Zamorano, Ainhoa San Miguel eta Maitane Larretxea. Perkusioan Mikel Rekarte, bibolina Cecilia Otaegi, pianoan Ainhoa Sanz. Hitzak: Doneztebe aldean sortu zen lainopean, kirola du helburu, guztiok elkarlanean. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Kirola du helburu, guztiok elkarlanean. Himno compuesto en 2010 por Mikel y Poti Rekarte, letra de Txomin y David Mindegia, Mikel Rekarte; Arreglo y partitura Ainhoa Sanz y Cecilia Otaegi; voz principal Alberto Zunzarren, coros Xabier Bañares, Pascual Bertiz, Joxe Irigoien, Juan Telletxea, Javiertxo y Lorena Almandoz, Pablo Elizondo, Ibai Marizkurrena, Mikel Rekarte, Izaro Martín, Maite Urreaga, Maialen Zamorano, Ainhoa San Miguel y Maitane Larretxea. A la percusión Mikel Rekarte, violinista Cecilia Otaegi, pianista Ainhoa Sanz. Letra: Doneztebe aldean sortu zen lainopean, kirola du helburu, guztiok elkarlanean. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Erreka dugu gorputza, jendea berriz arima. Sasoia da gure hitza, indarra eta kemena. Erreka izen ederra zabaltzen ari garena, bihotzean daramaguna mundu guztian barrena. Lainoaren umeak, zeruaren koloreak. Kirola du helburu, guztiok elkarlanean.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .