Jd requested i do a dry take of these phrases:. 1: "evaluate your mind"2: "dance with me"3: "love is the key"4: "it's inside you"5: "love"6: "trance"7: "return to the source"8: "all this energy"9: "you create the light". If you have a request, send a message!.
This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.
Lots of electrical noise. I got this sound using an aux cable from my laptop to a broken 3. 5mm to 5. 25mm adapter to my mixer. Noises were generated by my fingers scrubbing around the laptop's trackpad and clicking keys on the keyboard. Also my air conditioner is generating a constant noise. Every few minutes there is a neat glitchy sound, i'm guessing it's from some data being processed on the laptop. .
Gravação feita em estúdio. Foi utilizado clipes (tamanho: 6/0). Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. We used clips (size: 6/0). Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.
Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.
I composed this out of feeling and added the background violin after. I like the keychange in it. I'm a producer but wasn't really sure what to do with it after so i uploaded it here. As i often grab some of my files from here as well. Enjoy!. Let me know if and where you use it, i would love to know.
Microphones are set on a wasteland of tripoli, lebanon. 2009children are playing, horns, motors, city rumor. The muezzin is far away and his prayer is unintelligeible, reverberated and hypnotic enough. A man is walking right to left not far from us with keys in the hand. At the end children you'll hear a child playing with a plastic gun. Recorded with audiotechnica at822, xyrecorded on tascam dap1,stereo, 16 bits, 48khz.
Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.
Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.
Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.
Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.
A button being pressed down and released (producing a two part sound effect). Good for a real life button sound effect. Thanks for listening, and be sure to let me know what you think!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!. Also, if you enjoy this sound effect, you might enjoy some of my youtube videos: https://www. Youtube. Com/watch?v=2u7lmcevx9e.
[key. Wav]. You've found an item!. This sound can for example be used in games, for example when the player has finally found the item that they've been searching for for so long - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Neighborhood kids playing tag with frs-(family radio service) walkie-talkies chasing kid on bike. Kid excitedly yelling where the kid they were chasing was going, toward the end another kid keys his walkie heterodyning with the yelling kid. Recorded in goldwave from radioditty gd77s handheld directly in front of lifecam 3000 webcam.
Download the whole sample pack here: https://ghostsyndicate. Net/collections/free-sample-packs/products/free-samples-vol-1. All loops, one shot samples are 100% royalty free, key and tempo labelled and available to download in 24 bit wav. 24 bit 44. 1 khz320 mb104 drum and percussion loops20 bass loops25 synth loops8 pad loops16 fx18 one shot bass sounds2 cymbals8 kicks11 snares12 percussion hits18 hats.
Closing a metal gate and locking it. At the beginning you can hear a bicycle spin, which was incidental but sounds like it's some part of a mechanism of the gate. Nice!. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.
Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause
Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.
I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Sound designsynth voice of your own design (i used to create the sound among others: ambient, vocal, analog synt sounds). Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.
It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.
This is the sound of a sheet metal that is under high tension, hitting it with a small key produced a laser fire type of sound. Recorded using a contact mic as the area is surrounded by a lot of noise, the contact mic cut out everything. The recording was taken at my place of work so it would be easy should anyone require the "shots" to be re-recorded at a different tempo. 96khz 24bit mono-mix.
This was made on ableton with nexus. It's a basic chord progression with a drone note. Gives me a super relaxed feeling when set with the beach or something. It's a looped progression but i made it long enough for you all to do a lot with it. Key: ctempo: 70 bpm. Let me know if it's good, or if you all want more. Should be cool to see what you all do with it; put up a link to share with everyone else your amazingness. . . Or don't. Much love. If you would like to support and buy me a coffee: https://www. Buymeacoffee. Com/soundintentions.
A very clean recording (no recognizable voices) of the moment a 737 comes in for a landing at raleigh-durham international airport (rdu). You will hear the sound in flight, the landing gear go down, touchdown, and the airplane begin to taxi back to the terminal. At the very moment the flight attendant keys her microphone, i cut the recording. This keeps you legally safe to use this file. Note: touchdown is at about 55 seconds in. . . Enjoy!. - christopher c. Courter.
Csonor kickhead: 1mic: rpressure: 1 of 6. The sonor kick set includes many acoustic field recording samples of a sonor kick drum. The recordings are separated by categories denoted by a number and letter according to drum head & microphone position, including different volumes/velocities. Here is a key to help you understand:. Csonor kick[#] [pan][pressure]. [#]: which drum head used. [pan]: which side the microphone were partial to. [pressure]: the velocity/hardness the drum was hit at (ascending in intensity). By providing the different heads, mic positions, and intensities, the sonor kick set has everything you will ever need to get authentic kick drum samples. Enjoy!. .
Experimental electric music - sound designsynth voice of your own design (i used to create the sound among others: ambient, vocal, analog synt sounds)sound installation vision. Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9
Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Since i have recently found and love this site, i figure it's about time i upload something. I have been making some meditation and relaxing music and made this thing! this was made on ableton with an instrument rack. It's a basic chord progression with a drone note. Kinda makes me feel floaty. It's a 64 bar loop with 8 bars of drone after. Key: f#tempo: 120 bpm. Let me know if it's good, or if you all want more. Should be cool to see what you all do with it. If you would like to support and buy me a coffee: https://www. Buymeacoffee. Com/soundintentions.
This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.
This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.
Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.
Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.
The national anthem of the United States, originally the music of "Anacreon", as performed instrumentally by the United States Navy Band in the 1990s. Featured on the 1990s album Music For Honors and Ceremonies. El himno nacional de los Estados Unidos, interpretado por la Banda de la Armada de los Estados Unidos. L'hynme national des États-Unis d'Amérique, à l'origine musique de la chanson à boire, The Anacreontic Song, interprété par l'orchestre de la marine nationale des États-Unis. Nederlands: Het Volkslied van de Verenigde Staten, gespeeld door het Amerikaanse Marine orkest.
The national anthem of the United States, originally the music of "Anacreon", as performed instrumentally by the United States Navy Band in the 1990s. Featured on the 1990s album Music For Honors and Ceremonies. El himno nacional de los Estados Unidos, interpretado por la Banda de la Armada de los Estados Unidos. L'hynme national des États-Unis d'Amérique, à l'origine musique de la chanson à boire, The Anacreontic Song, interprété par l'orchestre de la marine nationale des États-Unis. Nederlands: Het Volkslied van de Verenigde Staten, gespeeld door het Amerikaanse Marine orkest.
Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
A dramatic tune i made on mostly piano in garageband for something called victors crypt. I imagine a mad sweaty beethoven-like composer by the piano in a concert hall. He's pounding those poor keys on the piano. I added some background-sounds to make it more moody. Could be perfect for an intro, something dramatic, big and serious. Maybe a enormous creature from the abyss. . . . !!!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.
