1,227 Royalty-Free Audio Tracks for "Interval"

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

*Drobisch angle on C. Equal-tempered: 21/360:1 = 3.333333 cents. MIDI pitch bend: 9,65

*Decameride on C. 101/10,000 = 0.398631 cents. MIDI pitch bend: 16,64 SAME PITCH BEND AS File:Ragisma on C.mid

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

1698 Campra L'Europe Galante Prologue Ouverture, Pythagorean tuning.

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Just), in an instrument with only odd harmonics.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

Ratio between pitch and length of an organ pipe: octaves.

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

*Gamma scale step on C. (3 : 2)1/20 : 1 = 35.1 cents.

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Septimal minor triad on C (C,E7b,G or 6:7:9)

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

Crickets singing their beautiful, comforting chorus in the depths of the night, in the bushes outside my window. They sing in unison and in intervals.

Low minor second interval in a grand piano plus a timpani attack, with long resonance.

*Single note of just BP diatonic scale on C = A. Just: 7:3 = 1466.87 cents. Limit: 7-limit.

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

Major chord on C in just intonation (1/1, 5/4, 3/2).

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

H4n onboard mics at 24/48. No windshield, so apols for occasional noise. Recorded aug 2012 at shakespeare's globe.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Tritonus f'h' aufwärts zusammen abwärts Akkord Frequenzen Frequenzverhältnis in Cent f' ,h' 352 495 45/35 590,2237 Tonbezeichnung nach https://de.wikipedia.org/wiki/Eulersches_Tonnetz

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Just major seventh chord on C (8:10:12:15).

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.