1,227 Royalty-Free Audio Tracks for "Interval"

Seventh augmented eleventh chord on C.

First eight harmonics, vertically (just).

This sound presents some short pauses of the same duration and in the same interval, it was activated by a person when starting the coffee maker.

Barbershop bell chord. Pitch bend matches just intervals.

*Meride on C. 107/1,000 = 27.904196 cents. MIDI pitch bend: 119,72

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

♭III+ chord in just intonation. Pitch bend matches intervals.

Bayati scale. MIDI pitch bend matches intervals (1 quarter flat).

Ninth vs added-ninth chord.

*Woolhouse unit on C. Equal-tempered: 21/730:1 = 1.643836 cents.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Neapolitan sixth in C minor.

*Savart on C. 101/1,000:1 = 3.986314 cents. MIDI pitch bend: 35,65

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Dominant thirteenth chord in four-part writing.

Dominant thirteenth: four-voice version.

Septimal augmented sixth on C. A♭. 1003.8 cents.

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

BP chromatic scale et. MIDI pitch bend appears to match intervals.

Ninth augmented fifth chord on C.

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Bad guy/"Villian" motif/riff.

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

Dominant seventh flat nine chord on C - As MIDI

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

A strange pulse with 1. 06 second interval. Accidentally got this pulse when tried to record music from my phone to my pc using a cable.

It is a constant sound that is made up of two different sounds, one of them having small pauses in the same interval. It was activated with the start button on the treadmill.

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

9-limit dekany scale.

Just augmented second in just C scale: A♭ and B.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Golden ratio approximation: 233 : 144, 833.11 cents.