121 Royalty-Free Audio Tracks for "Integrity"

Wrote/recorded short daft punk style tune at 100 bpm in ableton live 9:muugy for synth sound. Analogue bass + bit growl for bass sound. Kontakt 5 for the string sound. Soft saturated for the percussive section. Additional notes:-12. 9 lufs integrated-2. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Simulating "bone breaks" by cracking celery into pieces. The intent is to use these sounds along with "hitting" sounds to create a more dynamic punching sound effect. Although this is cc-0, if you integrate it into a more dynamic effect, i'm curious to hear it. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

Wrote/recorded a free orchestral tune at 175-bpm using ableton live 9. Ableton stock plugins used: braskinski, grand pianoezdrummer2 used for percussion sections. Kontact5 used for trumpet, trombone, string, bass sections. Guitarrig5 used for electric guitar elements. -15. 0 lufs integrated. -2. 1 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.

Recorded the sounds with a zoom h1n in my apartment. Snare is a flick with my fingers on a wooden door + added snarebuzz in post production to it, kick is a hit with my hand on the wall produced some nice lows. I had to create an another track for just the transient, but essentially made from the same sound. Hihat is the stove's clicking sound with added reverb. Post production made in ableton live lite with mostly the integrated audio effects, but i also used some free plugins to create this drum loop. I hope you enjoy, it's 100% royalty-free.

#thevangoghproject: series: patient’s rights sides with the mega-mental health corporation. Description:sound artifacts of a resistance process taking personal responsibility in being the change. Allowing the light of awareness to blossom in dark recesses of the human condition with the intention to bring healing, resolution, new/fresh solutions. Sound bytes from storytelling about the hurdles faced and overcome while being a peer support to an artist seeking to spiral up off the streets and through the mental health system in los angeles county. Barking back at the dogs of corruption we commit to turning on the light.

#thevangoghproject: series: patient’s rights sides with the mega-mental health corporation. Description:sound artifacts of a resistance process taking personal responsibility in being the change. Allowing the light of awareness to blossom in dark recesses of the human condition with the intention to bring healing, resolution, new/fresh solutions. Sound bytes from storytelling about the hurdles faced and overcome while being a peer support to an artist seeking to spiral up off the streets and through the mental health system in los angeles county. Barking back at the dogs of corruption we commit to turning on the light.

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: e1 g1 e1 d1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-14. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

This is an extract of the file sardinia: the original soundscape #2, full vision at https://youtu. Be/li-mdai0abi. This file (sardinia: the original soundscape #2) includes the sound of the wind, birds, insects, grazing animals, the characteristic soundscape around a small church. The file was recorded at the evening on an november day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

Wrote/recorded a short song about popping zits at 140 bpm in ableton live 9:kontakt player used for the formaggio string sections. My vocals were recorded with a akg 214c mic into a scarlett 18i20. Nothing fancy just get it down. Lyrics "get me now from the skin below, won't you help me out? i am stuck inside"then reverb added to vocals. Percussion is ableton's "percussion 1" setting (wood, shake, cowbell, chimes). Additional notes:-15. 6 lufs integrated. -0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: a1 f1 c2 g1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 2 lufs integrated-1. 0 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a short drum and bass loops at 100-bpm using ableton live 9. 4 notes per bar played on bass in this order: g1 e1 g1 e1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a basic drum and muted guitar loop at 105-bpm using ableton live 9. 4 notes per bar played on guitar in this order: d a c a. Drums are kontakt player "urban beats" default setting. Guitar is a single coil telecaster playing thru a reverb pedal (shift line's astronaut a+) and mic'd up w/ a ldc. Additional notes:-14. 8 lufs integrated-1. 8 db true peak max. Want something more customized? send me a note or visit myyoutube. Com/bainmack. Hope this helps and is useful for your next project. Cheers,bainmack.

This is an extract of the file sardinia: the original soundscape #2, full vision at https://www. Youtube. Com/watch?v=mu1jwwrjn5w&t=14s. The file was recorded at the evening on an november day in ovodda. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

This is an extract of the file sardinia: the original soundscape #1, full vision at https://youtu. Be/1klfdfx3zyq. This file (sardinia: the original soundscape #1) includes the sound of the wind, birds, insects, grazing animals and the sound of a small river flowing through the area. The file was recorded at dusk on an october day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio laicontacts:laianto. Me@gmail. Com.

Wrote/recorded a free dance tune at 120bpm using ableton live 9. The notes revolve around: c, g, d, e, dableton stock drum rack w/ stock samples for the percussion section. Mod amp sine bleep for the side toms. Ableton stock grand piano for piano. Muggy stock plugin for the synth-like parts w/ pitch bends in the midi. Synth1 vst64 for the long sustaining notes during the rhythm synth parts. Other notes about this recording:-14. 0 lufs integrated. -1. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.

Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Another bahai prayer in farsi recorded at home on a minidisc of a friend of mine singing the following prayer: (translation)o thou art turning thy face towards god! close thine eyes to all else, and open them to the realm of the all glorious. Ask whatsoever thou wishest of him alone; seek whatsoever thou seekest from him alone. With a look he granteth a hundred thousand hopes. He healeth a hundred thousand incurable ills, with a nod he layeth balm on every wound, with a glimpse. He freeth the hearts from the shackles of grif. He doeth as he doeth, and what recourse have we? he carrieth out his will, he ordaineth what he pleaseth. Then better for thee to bow down thy head in submission, and put thy trust in the all mercifull lord. The language is old fashioned because the bahai have special requirements about maintaining the integrity of their texts. It is a verbatim quote from an english prayer book. In farsi, for instance, i believe that the masculine gender of god is absent and is really non-specific.

Microsystèmescours 525/10/2012. Chapter 4 – process integrationpage 106 – 0 minpage 111 – 2min20page 112 – 5min20page 121 – 13min30page 118 – 14min50page 484 – 17min03page 488 - 21min 23page 489 - 23min08page 123 - 23min43page 120 – 33min58page 124 – 35min03page 126 - 41min02. Pause. Chapter 5 – lumped modeling with circuit elementsslijd mitpage 1-2-3 – 44min58page 4 – 48min14page 5- 50min14page 6 -51min59page 7 – 54min54page 9 – 56min39page 10 – 59min26page 11 - 62min13page 12 – 63min48page 13 – 65min48page 14 – 67min13page 15 – 69min03page 16 – 69min43page 17 – 70min13page 18 – 71min18page 19 – 73min03page 20 – 74min48page 21 – 78min02page 22 – 78min22page 23 – 78min42effort e(t) <-> flot f(t)intégré par rapport au temps =>moment généralisé p(t) <-> déplacement généralisé q(t). Page 24 – 82min32page 25 – 86min02page 26 – 86min52page 27 – 88min29page 28 – 89min19page 29 – 90min02page 30 – 92min22page 31 – 93min02page 32 – 94min07page 33 – 95min34page 34 – 100min22page 35 – 101min49page 36,37,… – finmemristor -.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .