Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.
Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.
This is a pack of 20 synthesized snare sounds with different "variables" for varieties. Wave forms slightly differ as well as the cutoff frequencies, resonance, and noise lengths are all slightly different from each other.
Deisel locomotive passing with long heavy load of coal. Recorded from about 30 ft. Away. Includes coming and going with whistle. Welded rails. About 100 cars. Recorded in hot springs, north carolina.
Lowest string (f1, gauge 0. 74) playing again, but this time with heavy distortion and no reverb. There is some barely noticeable noise towards the end, picked up by the guitar pickups. Djenty, almost bass guitar stringish tone.
This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .
Recording of a heavy, thick plastic bag, recorded for the sound of a protective plastic sheeting being lifted. There are some 'liftings' and also an extended crumpling in there too. Recorded on an se x1 large condenser mic. Please feel free to use for anything. Cc0.
I've reset all my licenses to cc0. These are all public domain. I apologize for not responding sooner. I'm just now discovering most of the attention these pieces got. Thank you all who've commented. I'd have remained oblivious otherwise.
Low note, bends upwards. Chillout guitar is an introspective set, heavy on reverb, inspired by the klf. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
This is a really simple beat is based off the beat from a remix of "happiness in slavery" by nine inch nails. I used all my own sounds though. The snare was created by filtering white noise, and adding distortion, then adding an acoustic snare sound over it. Really good for heavy industrial songs.
This is a recording of me walking through a flooded farmer's field in summer, with heavy rain boots. You can hear my boots slapping against the water, and some brushing sounds of my clothing against the tall grass.
This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .
Processed whoosh recordings for your motion graphic, fight scenes. . . Or when you just need a little whoosh to you sound design :) add reverb if needed and it's ready to go. If you use them you can send me a link.
This is a recording of heavy downpour on the streets of a rural village in germany. The rain was also dropping down on a small metal roof not far away. Furthermore, there was some rumbling thunder going on in the distance from time to time, as well.
Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.
Throwing a very big log on the ground, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.
Squall line thunderstorm arrival to pécel, hungary on 9th june 2018. The storm produced heavy rain, strong winds and some close lightning strikes. Recorded by sony icd-ux512 stereo dictaphone. Part 2.
