968 Royalty-Free Audio Tracks for "Frequency"

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: a1 f1 c2 g1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 2 lufs integrated-1. 0 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a short drum and bass loops at 100-bpm using ableton live 9. 4 notes per bar played on bass in this order: g1 e1 g1 e1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Decided to test my mic to record high frequencies)) note that even with a decrease in the loop on the octave (-12). Harmonic signal will sound up to 20 khz. Tune: f2, +25 centrecord gear: ecm 8000, prismsound lyra. .

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

Excellent sound of a large explosion, similar to a grenade. This was made in pro tools. Originally it was the sound of a mallet smashing a plastic cup recorded with an akg 414 ld condenser. I used an air frequency shifter, air reverb, and air dynamic delay to do the rest.

I don't remember making this, but i'm pretty sure all i did was run some white noise through bassboost a couple times. It works for earthquakes, distant tiger roars, and other subsonic sounds.

This is a recording of noise and some wind in a village during a night. It has some boosted frequencies and might be used for interesting dark ambiences or dark backgrounds for industrial music/sfx.

Synthetic sound depicting the sound an old crt monitor makes when switching on layers:- thumb from power switching on- decaying bursts of hf noise- 15. 6khz electronic switching noise (squarish with lower frequency jitter).

I changed the synthesizer's ranges and played a bit with reaktor's structures until i realized i was playing with the frequency range. The result is a radically different sound that sounds more like a machine.

Bass line with slight eq to clean up frequencies, played on my gibson les paul bass. Yeah thats right baby!. 70 bpm.

Original can be found here: https://freesound. Org/people/xserra/sounds/317745/i applied frequency and time transformations in order to change the intonation and add some dramatism. The transformations i used are from sms-tools (https://github. Com/mtg/sms-tools).

Still random frequency transformed with plugins. This time it's a saw waveform moduled by a sine lfo. Add a little of this and a little of that. Make me thing at a the sound of the rain on a strange planet!.

Using beepbox. Co, i accidentally made a sound similar to my fm radio being unable to pick up a station. I keep my radio in my basement, so sometimes it can't pick up some frequencies right away, producing this noise.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Freezing rain recorded falling underneath a tree at night. Some unfortunate rumble from a nearby airport, could be eq'd out (or left in for something spooky!).

All my sound effects are always created from scratch. Handcrafted using only the finest frequencies and waves. If you alter my sounds in any way i can not be held responsible for your health and safety.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Starts and ends with trains arriving overhead into ueno station, then general market atmos with male spruikers. Recorded in the ameyoko markets in tokyo in may 2008 using a zoom h4. Unprocessed apart from a low frequency cut.

Opening a zippo lighter, lighting it, and closing the lid. Separated into separate actions, removed a low-frequency rumble from some of the sounds. Recorded in a small shed, zoom h2.

Heavily compressed heartbeat taken from a sample after jumping jacks. . . Starting at approx. 180 bpm, then quickly slowing to 0.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Airport checkin acknowledge sound. Request from ratla. Used the original recording, cutted the first part. Noise-reducted 2 times. Leveled the frequencies a bit higher and finally set an echo on it to fade out slowly. Equipment used: audacity.

A short layer of rhythmic clanging created as a scary atmosphere in a chase scene. Used a roland groovebox with the self-sampling utility directly to wav. I've found this method results in good sounding recordings, but reduced high frequencies. Sorry, don't know the bpm.

This is a continuous sound (low frequency) of the wind and the friction of it with the microphone. It's recorded inside of the playground at upf campus of poblenou, barcelona. It was recorded at 13:20. Recorded using zoom h4, normalized with audacity and adde fade-in and fade-out.

All my sound effects are always created from scratch. Handcrafted using only the finest frequencies and waves. If you alter my sounds in any way i can not be held responsible for your health and safety.

In this sample you hear a recording from inside a well sound insulated room, directly under the roof of a house. Strong rain hints the roof and produces low frequency muted sounds. In the background you hear the constant noise of the rain, coming through the window. There are also a few raindrops hitting the glass of the window. The sample was recorded using the built-in stereo microphone of a zoom h4n recorder. It was slightly processed to remove unwanted low and high frequencies which were not related to the actual recording. If you use this sound, please add a comment or send a private message what you created using it. :-).

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: e1 g1 e1 d1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-14. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Raw sampled ieframe. Exe on a hungarian windows 7 64-bit computer using audacity. The reason why it's only 11khz in frequency range is becaue 44 100 hz makes the sample too high pitched.

Interference is a interesting phenomenon. I blow a bass tone and add my own voice, first i adjust my voice to same wavelength as the instrument, then i change my voice linearily, and you can follow how you get a 3rd tone, which is either a+b or a-b.

Light, calm morning waves splashing onto the sandy shore a couple feet awayrecorded on the iphone xr voice memos app, then compressed with audacity(the wind can get obtrusive, especially in the lower frequencies. ).

Heard some cows across my street mooing at each other. They sounded sad and/or upset. Recorded on the zoom h4n. Edited in reaper to remove dead air/movement/excessive wind and eq'd some of the high frequency noise out.

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect, and tremolo sawtooth effect to increase ducking at a frequency, and added fade in and out. This is probably closer to the original.

This is a pack of 20 synthesized snare sounds with different "variables" for varieties. Wave forms slightly differ as well as the cutoff frequencies, resonance, and noise lengths are all slightly different from each other.

A recreation of the sound effect made when a communicator beeps. This is not the same as the "chirp" made when the communicator is flipped open, but the "ringtone. ". A simple sine wave at the appropriate frequency, beeped twice.

Chaotic resonances that soon falls into more and more chaotic behavior. Quite a smooth chaotic noise sound. Made from 2 sine oscillator frequency modulating each other and some variable controls. Programmed in chuck programming language.

Using an analog "buttset" or test-set telephone, clipping the leads from an exfomaxtester device and hearing the tones from testing a line, at a terminal/crossbox location (roadside). Cut some low frequencies and added 2s, 5s, then 3s digital-delay effects automated and a reverb effect.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Fire siren with fade in and fade out, change of frequency, of the starting phase, of and resonance. This song is normalized. It's like someone who is hearing a fire siren playing with his ears.

A fly buzzing around. The thumps are the fly bumping into the wall and a lampshade. This file is dry, so there's some low-frequency garbage from my holding the mic and following the fly. A high pass at around 200hz fixes that. Feel free to use this for whatever you want. 100% public domain.

In original sound that no high-frequency squeak, it only in preview version, i think it was in automaticli coding by this web site. Recorded on tascam dr-22wl.

Material from a waldorf q processed in live with a waldorf dpole, the uad helios69 eq and neve compressor. Gritty low fi shifting, high frequency lfo on a bpf. Hard digital distortion effects. Highest sample rate and quality of recording for this style of effect.

Recreation of the red alert klaxon used in star trek - the motion picture and other original series cast movies. A square wave at the appropriate frequency, processed.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.