534 Royalty-Free Audio Tracks for "Four"

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Ein feste Burg ist unser Gott, younger version of Luther's original tune, 1529; four-part setting by Peter Gerloff Ein feste Burg ist unser Gott, heute meist gesungene Version von Luthers Melodie, Evangelisches Gesangbuch 362; vierstimmiger Satz: Peter Gerloff

This is the forth part of four sounds of a cessna 152. Here is the approch and the landing. At about 0’30’’, we car ear the engine slowdown and at 4’03’’ the flaps deployment. The touch down on grass runway is at 9’57’’. Recorded on 2017/10/21 around the namur aero club with an olympus ls 100.

Clean notes played on a home-made diddley bow. Sampled with an electric pickup and a little added reverb to make up for lack of sustain. Seasick steve inspired me to construct a diddley bow (it ain't hard). All you need is a length of wire, 4 or 5 ft of two-by-four, some timber nails, an empty bottle and a hammer.

Theme hand saw :. Production step :i reccord the sound of someone speaking. I copy this sound 4 times. One time on two i « invert » the sound for creating a contrast. So four speaking are on the « original sens » and four on the contrary. On a another track, i take another short recording of a men voice and copy this once. I add this new track to the middle of the first once. To finish i chang the pitch of all the track with a percent of change of -24. Description :this sound look like an old wood hand saw. We clearly distinguish the saw movement. Going on and going back. Add a different recoording on the middle allows the sound to be realistic. Because the hand saw sound is not regular. Typologie de schaffer :masse: son cannelétimbre harmonique: grinçantgrain: frottementallure: vivantedynamique: abrupteprofil mélodique: ascendant puis descendantprofil de masse: amincissement.

I was trying to make a subtle beat in the background of a song and turned up the cutoff and got this. It sounds like a robot frog to me, and i figured i might as well post it in case someone gets any use out of it. Changes pitch every four bars. 100 bpm.

A four-month-old baby cries and cries during her first flight, from shanghai to beijing. In the background you can hear the pilot making his post-flight announcements, along with passengers talking and the sounds of the airplane soaring. Recorded with a sony icd-ux560f. Triadtravelogues. Com.

Atlas copco rrc 22f pneumatic chisel hammer used to force hot steel four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

A backpack opening, the fabric rustling. Could be used as an inventory sound in a game, or just as a cloth sound. This is one of my first sound recordings and is how i got into recording. Recorded 8th may 2018 with a samsung galaxy tab a. Edited four times in audacity, with the latest being the 21/04/2021.

Recordings made during a hike through the woods where we came across a wooden bridge. Liked the sound and happened to have my recorder with me. This recording is of four people walking over the bridge in close proximity wearing boots and tennis shoes. Recorded with a sony icd-px312.

Recordings made during a hike through the woods where we came across a wooden bridge. Liked the sound and happened to have my recorder with me. This recording is of four people walking over the bridge in boots and tennis shoes. Wav conversion with audacity. Recorded with a sony icd-px312.

This may be the most irritating squeak sound ever. In our office, we discovered a particular filing cabinet that squeaked if you would lean against it. It was too good to pass up. So i put my recorder in the drawer and leaned. This is the result: four squeaks of unparalleled irritation. I hope you can find a use for this in your projects.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

This is my four years old kid singing a long version of the abc's song. The idea of this version is to learn the sounds of every letter in the alphabet. The voice was recorded using the app "tape" by focusrite, with the an ipad's microphone without using any metronome or background track. The song was recorded in february 2014, in quito ecuador.

Part 7 (four ruffles and flourishes and "General's March") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 16 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Around midday on a hot, 30 deg c sunday in the summer. Four recordings,the first recording starting next to the village where there are lots of people, children playing and boats. Each subsequent recording is further from human activity, so there are more birds around. Zoom h1, internal capsules20-08-09_115346_h1_hamble_river_summer4. Wav.

Four notes recorded from the same person to create this "heavenly choir" cluster chord. Some reverb added. Created for a production of jesus christ superstar when he is crucified. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

This is the first recording i made with my zoom h1 (probably will be making more soon). I made it from my balcony, late afternoon - there is a large playground surrounded with 4 four-storied blocks, so there's a great echo. The birds are very noisy at this time of day here and kids as well. There are also some distinct parents talking in the background. Recorded in small town in poland.

Winding and firing of the shutter of four vintage analog cameras. All shutter speeds were set to 1/125th of a second (except the last one). The order of each take is as follows:1. Pentax spotmatic (from around 1971)2. Yashica tl-super (from around 1969)3. Nikon fm (from around 1975)4. Yashica electro 35 (rangefinder with leaf shutter from around 1972).

This is a nightingale in a very quiet environment, which is played 4 times slower. The gaps between the verses are removed, otherwise there would be always round about 20 seconds silence. The reverb is natural (no sound effects added), but sounds epic after slow downed with factor 4. The original 96khz/24bit-track was recorded with zoom f8 by using four rode nt1. Recording distance to the nightingale was 5-6 meter. ;-).

Tr606+tr808+cr78+casio mt-36+fx+editspart of an experiment with recordings of three of my favourite analogue drum-machines and a keyboard with amazing drum sounds, intended to create the ultimate combination of all four. This is an experiment. This is work in progress. I won't settle on one ultimate sound -- i will upload several best versions of each drum hit gradually as i fiddle with them. Also expect the rest of the kit soon :).

I really needed something that sounded like a group of horses galloping in the distance and couldn't find anything. So i busted out my zoom h6 and set it on my futon comforter and then just tapped my fingertips on the surface right next to the stereo mics. Then i put that track in premiere and made four layers, all offset to get different rhythm and i thought it turned out pretty good so wanted to share it.

Repetitive bird chirping in an urban backyard, distant cars. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Pinafore airs, Pt. 1 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "We sail the ocean blue" "Hail, men of warsmen", "I'm called Little Buttercup", and "A maiden fair to see" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley.

A simple sound consisting of four notes using pizzicato strings of the program tuxguitar v1. 2. May be used as a pop-up sound, the effect of a window or program opening, or even in a game of yours. You do not have to give me credit of any kind. I think of this work as a simple but important contribution to the community. However, if do you wish to tell me, i would be glad to know how this sound was used in your project!.

Great single-speed diesel engine sound, loopable for any length background you need. This one happens to be at about 1200 rpm for a four-cylinder ford tractor engine. That said, i am living dangerously today because it's a field recording and i'm not saying where it was. Not because i can't, but because i frequently use the wrong door when entering or leaving the supermarket and i usually completely ignore the painted traffic directives in the parking lot. I'm proud of that.

This is the 1st sound i uploaded online in like four years. I'm shocked no one uploaded a sound like this prior 2020! it was made using layering of crackling sounds, deep drum for base, chain sound effect, and of course a nice swoosh. The end result is a sound that is very crunchy and powerful. Feel free to use it for commercial use, like video games or movies, no credit is necessary yet is always appreciated. Share your work with me! :).

Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

An edited version of my upload uke_single_notes. Wav. I shortened that recording to its last four notes, then included a fade out to eliminate most of the non-ukelele sound at the end. This recording has notes as follows: g4 g4 a4 d4. This sound was originally created for the coursera course "audio signal processing for music applications. " i recorded this sound myself with a zoom h2 microphone and a kala classical ukelele.

Bell tower of the basilica of the national shrine of the immaculate conception. Recorded on the catholic university of america campus with a zoom h2 in four channel surround mode. The front mikes faced the basilica. The rear mikes were fairly close to a building and captured an off axis recording of the original peals while the reflection off the building was on axis and is louder than the original peal. The two files can be combined for a surround image.

Afternoon in an urban backyard. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Song bird chirping in an urban backyard, distant cars bus passes. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Ambisonic recording of a garbage truck. Truck begins near, gets distant and then near again. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

Four aspects of maya people: music, market, religion, transport. A frantic music of a concert to the solola main square, market noise, an intense and coloured piece of mass into the church, followed by the return to the concert place and the end of the visit near a typical public bus, called "chicken bus" because it is used by maya people to transport animals and vegetables to sell at the market. Registration made in august 2010, equipment used sony sx800d external microphone sony icm cs 10.

A simple piece of synth pop by producer mesostic with stepped pads, bass, melody and four on the floor beats. Made on Ableton Live with freeware softsynths and included Ableton instruments and shared copyright free for any use from educational to commercial. The stems have also been shared. Track 1 uses the free MiniSpillage drum softsynth. Track 2 uses the free OB-Xd softsynth for the pads. Track 3 uses Ableton's Analog softsynth for the bass line. Track 4 uses u-he's free Tyrell N-6 softsynth for the lead melody.

Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

This sound was created artificially. In general, it consists of four main layers. 1. The sound of noise overboard (created from white noise). 2. The sound of clanking of the inner skin synchronously with the sound of wheels (created from white noise). 3. Metallic noise. Created from the sound of bolts shaken in a metal can. 4. Actually the sound of wheels (created from ten sounds of various metal and percussion). A rather complicated equalization was applied, and filtering in several stages. Also, the sum of the sounds is processed by the convolutional reverb.

Albuquerque, new mexico residential morning ambience, high desert neighborhood, birds, wind gusts, walkers pass-by, bformat-fuma. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track) *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Did this thrilling groovy piece of music in garageband for a thing called victors crypt. It starts off with a kind of wicked hard disco-beat. A four on the floor stomping groove. Then a bass line comes in and develops, getting more groovy, more tones. A midpart/breakdown before it goes up into a hard groovy four on the floor disco-beat again. The difference between the mild version and the spicy version is that there is more stuff coming in on the spicy version. Starts off the same but in the midpart there is more going on with guitars, piano, synths and stuff. And afterwards there's a bit of "jammy" section leading to the end. The mild version is more basic, no messing around kind of. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part where someon's beeing chased or are in a hurry for instance. . . Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Did this thrilling groovy piece of music in garageband for a thing called victors crypt. It starts off with a kind of wicked hard disco-beat. A four on the floor stomping groove. Then a bass line comes in and develops, getting more groovy, more tones. A midpart/breakdown before it goes up into a hard groovy four on the floor disco-beat again. The difference between the mild version and the spicy version is that there is more stuff coming in on the spicy version. Starts off the same but in the midpart there is more going on with guitars, piano, synths and stuff. And afterwards there's a bit of "jammy" section leading to the end. The mild version is more basic, no messing around kind of. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part where someon's beeing chased or are in a hurry for instance. . . Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.