17,988 Royalty-Free Audio Tracks for "File"

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:11:5

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 (tidigare inspelningar gjorda 1952) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:18:4

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:27:14

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:11:9

Władysław Tarnowski ps. Ernest Buława (1836-1878) pieśń "Still klingt das Glocklein durch Felder" (tekst i nuty), wydana została przez J. Gutmanna w Wiedniu. Wykonanie akompaniamentu do tej pieśni Marcin Tarnowski (M.Tarnowski (talk) 11:01, 30 January 2016 (UTC))

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:14:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:22:14

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:1:1

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:21:15

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:7:5

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302:1:8

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:9:7

Pediatric hospital reception/corridor, chatter (portuguese) in background. Recorded with iphone13. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material3.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Clavier variante” i następujący po nim „Galopp” z II Aktu, str. 92-93. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.). Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 4 February 2017 (UTC)) styczeń 2017, publikacja luty 2017.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in. Music: Public domainPublic domainfalsefalse

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Just waves at the beach. Nightrecording with almost no other noise (no birds, people, cars; some low frequency wind noise); 48/24-stereorecording with zoom h1, normalized. I´ve just uploaded a new file without low frequency wind noise.

Recorded in june 2016 on a brooklyn-bound g train in the new york city subway. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

The moment you know you should have been somewhere else. This, my friends, is why they make you put a licence plate on your car. File is slightly abridged for acceptable presentation. Anyway they were looking for someone else, and seemed remarkably understanding. And decidedly amused. . .

The audio file was generated by me. It's my personal door-bell. You can use it for free also for commercial works: but i would like very much, especially in the case of videos or other art recordings, a little quote from my youtube channel with this phrase. "this sound is offered by https://www. Youtube. Com/c/wikingo".

Recording of the sound of an electromechanical timer in an electrical outlet for engine heaters. Recorded with the built in microphone of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

Something went wrong with the audio! first i was going to record the sound of the wind. I placed the equipment, checked the audio and left. As i came back i realized that the audio file is full of interference!first i was quite angry about it, but then i thought that it is a pretty good sound effect!.

There is nothing that sounds as refreshing as a soda can being opened and hearing the energetic bubbles. Open happiness and taste the feeling of coca-cola in this recording! the sound file includes the opening of a coke can, pouring into a glass, placing the can down, and drinking the soda.

Foley sound of walking into a table. Intended for games where tables are obstacles. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Click or pop-up sounds made with mouth!. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Just doing some guitar sounds. Doesn't sound any good really. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Ambient file for something that makes you uneasy, on edge. There's something around or near you that might cause a problem. It's something you can't put your finger on but the general weirdness of where you're at gives you the willies. Audacity, macbook pro.

Sounds like the jaws theme song bass sound. These sounds are actually an xm with a changed file extension to. Wav, and then loaded into a wav editor which converted it to a readable format. I then removed the unbelievable noise to see what i ended up with. After that, i cut out the parts that sort of sounded cool and these are some of the ones i am willing to let everyone have.

This realistic. Wav storm includes a mix of ambiance effects, back ground effects and other urban environment effects. This wav file was generated from gold wave, using a bunch of effects off of other projects that i had going. (ambiance effects recorded from riverside, pennsylvania. ).

A hard to describe sound that might be useful for games, in particular pinball machines and similar arcade games. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

I needed a robotic female countdown for the game i am developing and found the file by "jenninexus". Using audacity i applied some effects to it and made it faster. As i am often using sounds from here i thought it is time to give something back to the community and share the result with you. Enjoy!. Link to original filehttps://freesound. Org/people/jenninexus/sounds/372318/.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.