17,988 Royalty-Free Audio Tracks for "File"

O Little Town of Bethlehem performed by the Singing Sergeants of the United States Air Force Band. Track 17 from Light One Candle (2004).

The national anthem of the Republic of China (Taiwan), from the YouTube channel of Ministry of Foreign Affairs of the Republic of China (MOFA). (converted to .ogg from https://www.youtube.com/watch?v=Oz2fo3RdbOk )

I Tell Me Ma performed by Celtic Aire of the United States Air Force Band. Track 14 from As I Roved Out (2014).

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sousa's "Hands Across the Sea" performed by the Concert Band of the United States Air Force Band. Track 6 from the band's 2017 album America.

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Qvitt Holmgren (Q98842780) Radiotjänsts ursprungliga produktionsnummer: 51/14958:2:2

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:21:4

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:1:3

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: S.O. Olsson, Olof Forsén (Q18649191) Radiotjänsts ursprungliga produktionsnummer: 48/8869:4:1

Sveriges Radios folkmusikinspelningar. Färöarnaresan 1959 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M59/12528:12:2

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Claude-Paul Taffanel's Andante Pastoral et Scherzettino (1907), the competition piece for the 1907 Paris Conservatory Flute Concours. Performed by Alex Murray (flute) and Martha Goldstein (piano) for Pandora Records, c. 1980, and released on Pan 110.

Sveriges Radios folkmusikinspelningar. Låtar från Uppland. Dokumentatör: Lars Madsén (Q5971467) Radiotjänsts ursprungliga produktionsnummer: 42/2895

Tauet, Himmel, den Gerechten, Gotteslob (1975) Hildesheim 809; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 II

Wo die Güte und die Liebe wohnt, Gotteslob (2013) 442; Gotteslob (1975) Köln 861

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

*8 steps in 17 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 28/17:1 = 564.71 cents. MIDI pitch bend: 90,52

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Komm, Schöpfer Geist, kehr bei uns ein (Gotteslob (1975) 245; Gotteslob (2013) 351)

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Für alle Heilgen in der Herrlichkeit (Gotteslob (2013) 548) Herr, mach uns stark im Mut, der dich bekennt (Evang. Gesangbuch 154; Gotteslob (2013) 552)

*Undecimal seconds comma on C = Cb↑↑- (Ben Johnston's notation). Just: 121/120 = 14.37 cents. Limit: 11-limit. MIDI pitch bend: 76,68

Instrumental National Anthem of the Qing Dynasty of China in use 1911-1912. 中文（繁體）：大清帝國1911年至1912年法定的國歌《鞏金甌》演奏曲

*Johnston , difference between 5:3 (A) and 53:32 (A) on C = C. Just: 160/159 = 10.85 cents. Limit: 5-limit. MIDI pitch bend: 60,67

Dich liebt, o Gott, mein ganzes Herz, Gotteslob (1975) Osnabrück 860; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 750

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

Liebster Jesu, wir sind hier (Evang. Gesangbuch 161; Gotteslob (1975) 520; Gotteslob (2013) 149)

*Difference between 17:16 (C17#) & 25:24 (C#) on C = C17 (Ben Johnston's notation). Just: 51 : 50 = 34.28 cents. Limit: 17-limit. MIDI pitch bend: 124,74

*3 steps in 16 equal temperament on C = D (Easley Blackwood's notation). Equal-tempered: 23/16:1 = 225 cents. MIDI pitch bend: 0,72

The national anthem of Luxembourg, composed in the 19th century and performed here by members of the United States Navy Band.Lëtzebuergesch: De Nationalhymne vu Lëtzebuerg, Ons Heemecht.

Rather a niche combination of sounds downloaded from this site for a children's halloween party for a room made up to be a witch's grotto with bubbling cauldron. A stereo mp3 file with crackling fire and bubbling cauldron to the right and dripping cave sounds and spooky animals and beasts to the left.

Sample i made in ableton. It was going to be a song, but i erased the files so it sits as is. I don't need any props, but if you use it, i'd love to see what you used it for! :3. -dj pembroke.

48 khz pcm wav file. Developed for use as background, low-level sound in science fiction interior scenes. M-audio venom synthesizer. Long-running clip changes subtly over time.

An orchestration of a few synth sounds, placed in a pleasing order. The synths were individually chosen and some were effected. Then the entire wave file was reversed.

Raw audio captured with zoom h2 in 4-channel mode at 48 khz/24-bit on set for this video:https://youtu. Be/lyxde2h8uau. Truncated and encoded into a 4-channel flac file using audacity.

Recorded on 16/04/2010 at approx. 6:45pm in the grassed park behind st mary's cathedral in sydney, australia. There is a water fountain nearby, hence the consistent background noise. Recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified.

These field-recordings were captured for a radioplay. You can hear various moves (where possible described in german in the filename). The files are recorded in m/s-stereophony, so you have the m-signal on the left channel, the side-information on the right.

Recorded in october 2008, at the georgetown loop railway, near silver plume (rocky mountains), colorado, usa. Recorded with a zoom h2 in 2-channel surround mode, without a windshield. File has not been modified, only cut short from a longer recording.

Recorded in october 2008, at the georgetown loop railway, near silver plume (rocky mountains), colorado, usa. Recorded with a zoom h2 in 2-channel surround mode, without a windshield. File has not been modified, only cut short from a longer recording.

Recorded on 26/02/2010 on an sbb train at approx. 9pm leaving zürich hauptbahnhof, zürich, switzerland. Recorded with a zoom h2 in 2-channel surround mode, without a windshield. File has not been modified, only cut short from a longer recording.

Recorded on 27/03/2010 at approx. 5pm outside albert park, melbourne, during the qualifying rounds for the australian grand prix. Recorded with a zoom h2 in 2-channel surround with a windshield. File has not been modified, only cut short from a longer recording.

I had a sound design session and at the end i rendered out the whole messy file, ran it through 3 otts, some reverb and delay and basically got an awesome spooky and unsettling atmosphere. Feel free to use it in your projects!.

Neighbour cutting a trunk with his gasoline-powered chainsaw (with leightly blunt sawteeth). Recorded with zoom h2nmic settings: mid/side 0 ( = 120°) / mid-mic directed towards the actiondistance: 25 meter from the actionaudio: 44. 100 hz; 16 bit; stereo, pcm wave file.

A door creaking into a spatial, hollow abyss. Spatial depth, large room. Creepy, ominous creak. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Metallic tap opens with flowing water into drain, rinse hands then closes with popping bubbles. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

*5 steps in 23-et on C = ?. Equal-tempered: 25/23:1 = 260.87 cents. MIDI pitch bend: 61,51

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Wir rühmen dich, König der Herrlichkeit, Gotteslob (1975) 483; Gotteslob (2013) 211; Es sungen drei Engel ein süßen Gesang, Gotteslob (1975) 186

*7 steps in 17 equal temperament on C = F (Easley Blackwood's notation). Equal-tempered: 27/17:1 = 494.12 cents. MIDI pitch bend: 15,62