17,928 Royalty-Free Audio Tracks for "File"

One-handed tapping example. Exemple de tapping à une main.

Minor version of the theme

Coronation scene from Boris Godunov

Shostakovich; Symphony no. 5, 1

MIDI by the Mutopia Project

Ave Maria (Bach/Gounod)

Op. 109, bars 1-4.

Wagner from Parsifal Act 1

Balada Ecco la primavera

D-beat drum pattern 2b.

Scarborough Fair

Mozart - Requiem (Krips) - I. Introitus

D-beat drum pattern 1.

Vissi d'arte recorded by Emma Carelli in 1906.

Mozart - Requiem (Krips) - VIII. Lacrimosa

Mozart - Requiem (Krips) - II. Kyrie

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Stars and Stripes Forever March, by John Philip Sousa, performed by Sousa's Band for Edison Records in November 1909. This is Edison Amberol cylinder number 4M-285 (A- ..22). It is NPS object catalog number: EDIS 36682

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

Vom Himmel hoch, da komm ich her, Evang. Gesangbuch 24; Es kam ein Engel hell und klar, Gotteslob (1975) 138; Dies ist der Tag, den Gott gemacht, Evang. Gesangbuch 42

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Symphony no. 9 in e minor 'From the new world', op. 95 - i. adagio - allegro molto 9. Sinfonie e-Moll op. 95 (B 178) “Aus der Neuen Welt”

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

Coriolan Overture, op. 62. Performed by the Czech National Symphony Orchestra for the Musopen Project Obertura Coriolano, op. 62. interpretada por la orquesta sinfónica nacional de República Checa para el proyecto Museopen Ouverture Coriolan, op. 62. interprété par l'orchestre symphonique national tchèque pour le projet Museopen

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

Gerechter Gott de l'opéra de Richard Wagner Rienzi, interprété en 1908 par Ernestine Schumann-Heink (1861–1936)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Klaviersonate Nr. 4, Op. 7 E-Dur - I. allegro molto e con brio

*2 steps in 5-et on C. Equal-tempered: 22/5=4/10:1 = 480 cents. MIDI pitch bend: 77,57

*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72

*Subminor seventh on C = B. Equal-tempered: 219/24:1 = 950 cents. MIDI pitch bend: 0,80 Preceded by:File:Seventeen quarter tones on C.mid

*1 step in 21 equal temperament on C. Equal-tempered: 21/21:1 = 57.14 cents. MIDI pitch bend: 37,82

*11 steps in 31 equal temperament on C. Equal-tempered: 211/31:1 = 425.81 cents. MIDI pitch bend: 33,72

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

*Septimal neutral seventh on C = BLb- (Ben Johnston's notation). 64:35 = 1044.86 cents. Limit: 7-limit. MIDI pitch bend: 45,78

*1 step in 41 equal temperament on C. Equal-tempered: 21/41:1 = 29.27 cents. MIDI pitch bend: 47,73

*1 step in 23 equal temperament on C. Equal-tempered: 21/23:1 = 52.17 cents. MIDI pitch bend: 89,48

*1 step in 20 equal temperament on C. Equal-tempered: 21/20:1 = 60 cents. MIDI pitch bend: 26,51

*18 steps in 41 equal temperament on C. Equal-tempered: 218/41:1 = 526.83 cents. MIDI pitch bend: 75,72

*10 steps in 31 equal temperament on C. Equal-tempered: 210/31:1 = 387.1 cents. MIDI pitch bend: 111,59

*1 step in 13 equal temperament on C. Equal-tempered: 21/13:1 = 92.31 cents. MIDI pitch bend: 69,61

*10 steps in 41 equal temperament on C. Equal-tempered: 210/41:1 = 292.68 cents. MIDI pitch bend: 84,61

*24 steps in 41 equal temperament on C. Equal-tempered: 224/41:1 = 702.44 cents. MIDI pitch bend: 100,64

*18 steps in 31 equal temperament on C. Equal-tempered: 218/31:1 = 696.77 cents. MIDI pitch bend: 124,62

*17 steps in 41 equal temperament on C. Equal-tempered: 217/41:1 = 497.56 cents. MIDI pitch bend: 28,63