152 Royalty-Free Audio Tracks for "Extended"

Coffee maker recorded with zoom h4n pro on tripod. Low-pass filter applied to remove some high pitch snaps. Roughly first 40 seconds reconstructed from clips to extend sound of water gurgling. Recorded for use as a sound effect for a play.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

This is the sound of an old tankless toilet, ca. 1945, with a flushometer mechanism being forced to cycle water for an extended period of time after flushing. Recorded with a zoom h1n and it's internal microphones.

This is a recording of my voice saying "hello" in spanish with a lot of background noise. The target is to filter this recording using the new xft (extended fourier transform). Check out the file "holaxft. Wav" to hear the filtered version and please comment.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Recording of a heavy, thick plastic bag, recorded for the sound of a protective plastic sheeting being lifted. There are some 'liftings' and also an extended crumpling in there too. Recorded on an se x1 large condenser mic. Please feel free to use for anything. Cc0.

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Someone who's hiding and tries to be not seen. Might be escaping. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Sudden breathing of somebody that has been scared or is in a danger situation, he might be hiding from something. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Played in e minor extended chords. This is my first upload to the album soundscapes. I hope there is any interest in these kind of soundscapey audio. Greetings. Daan duister.

Steps of somebody walking carefully. It seems like a criminal about to commit something. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Excerpts of from freesound #403476 , which has a variety of electrical noise. Extended version here.

Part of the record fx pack this sound is designed to be mixed with the actual record content and provides some of the noises people spent ages to remove!this sound covers the needle being placed on the record a rhythmic crackle and touch of white noise. You can extend the crackle section with the file record noise2 underscore file.

Extended recording of myself stomping around in iced-over snow after a storm. Featured sounds are footprints breaking through ice and crunching in the snow underneath, icicles being scraped across the icy snow surface, and bits of ice being thrown across the ice-covered snow surface and skittering away.

Door closing with a squeak sound. It gives the sensation that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

Door opening with a squeak sound. It makes the feeling that the door is old and heavy. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 2, the first piano chords line.

Created for use in the make noise morphagene!. Experimental trumpet sounds by sarah belle reid, seen in the video "acoustic instruments with modular synths! with sarah belle reid" on the make noise youtube channel: https://youtu. Be/g63uefyz_mo. Https://makenoisemusic. Com/modules/morphagene.

A scifi energy blade hum sound. Made in audacity, based off of a distorted digiridoo sound, extended and added some basic wahwah for effect. Credit for original sound goes to drmaysta - https://freesound. Org/people/drmaysta/. If you use this, please give credit to drmaysta. He appreciates comments on the original piece - https://freesound. Org/people/drmaysta/sounds/349704/.

Common terns are pale gray overall with a black cap. Breeding birds have a fully black cap that extends to the back of the neck and a gray belly. Terns comes from lac des chanteraines next to paris. I love listen to terns next to highway. It’s a pretty shocking contrast of noise pollution.

Recorded on a damp night from a beach house at wrightsville beach, north carolina. Audio has been treated for some wind. The whole recording was like an hour long but i couldn't upload that much. Tip: to extend the sound, you can cross-fade this sample pretty much anywhere with itself and the effect is virtually unnoticeable.

Person trying to open a door aggressive and desperately in a reverberant room with an alternator sound at the background. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song->> Happy Happy HardPopCoreTastic This is stem 3, the second piano chords line.

Door slam in a reverberant room. The fast closing gives the sensation that the person who closed it was angry and aggressive. Recorded with a zoom h2 in pompeu fabra's univesity, barcelona.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

The apple plaintalk microphone jack used on some older macintosh systems is designed to accept an extended 3. 5 mm three-conductor phone connector; in this case, the tip carries power for a preamplifier inside the microphone. The sound a rather fast repeating beat i made using an apple plaintalk microphone in a rather modern windows laptop using audacity. I messed around with the jack, and took out all the silent parts.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the pad synth line, created in Arturia's Jupiter 8 softsynth.

Tabla is percussion instrument with two drums 'daya' and 'baya'. Only the 'daya' drum is usually tuned. For checking the tuning the 'na' bol is played. Recorded using samson-go portable condenser mike at home. Placing the mike too close to tabla was clipping the sound and if placed away, it was not picking the extended resonance. Hence the mike was moved closer after attack, hence the apparent increase in amplitude and some doppler effect is seen.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 4, the drum machine, created in Arturia's Spark.

This is the second part of an audio filtering project (in general, signal processing). This sample shows a noisy recording of my voice, after transforming the signal using the xft (extended fourier transform), applying a filter to cut some frequencies and later applying the inverse xft. All this done with an algorithm in matlab or mathematica written by me. Check the recording before the filtering process by hearing the file "holaoriginal. Wav" and please comment.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the bass line, created in Arturia's Jupiter 8 softsynth.

Recordings of a home made instrument of david bithells called sun ra, recordings by ali momeni. Instrument is made of metal springs extending from a large calabash shell; recordings made with a pair of earthworks mics, and a number k&k; contact microphones, mixed down to stereo. Dynamics are indicated by pp (soft) to ff (loud); name indicates action recorded.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 1, the main riff of the song, created on the freeware (open source) softsynth "Crystal"

Same as yesterday, but i've added the sound when the huge vehicle extends its two enormous landing gears. For getting the feeling of megapower when whole village shakes you need a speaker system that can generate at least 100 watts at as low as 10 hz. I have a 800 watt sub which i can only use when cats and wife aren't in the house.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

This is a great clear and loud recording of a cat purring for an extended period of time with no obtrusive noises in background. Rip pozzo, whom the purr belongs to. He was a very affectionate cat and purred if you so much as stared at him. Happened to catch this sound one night while alone at home with the cat. He was on my lap and my sound equipment happened to be right next to me.

Created in flstudio 10. 9 using mysterion (free vst)purpose is space-ship idle background engine drone. Extended version (15sec) as requested ^_^.

This is the sound of an slightly old and noisy ceiling fan being switched on, run for a bit, and then turned off. It has been recorded on my cheap android phone in an empty room in mumbai, india. There is some room tone hiss as well mixed in. You can loop the middle part to extend as the drone / rumble is quite steady. Feel free to use as and where you wish.

Basically a spaceship hyperdrive/warp drive engine or whatever. Includes spin-up, engine drone, and spin-down. Feel free to loop/extend the engine drone portion for as long as needed (it's completely loopable). I didn't create originally all of the bits of this, all i can say is that some of them were created by our very own frresound. Com member unfa (http://www. Freesound. Org/people/unfa/). I took these, and combined them with some sounds i made in audacity, and made what you have here.

Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.

Made back in 2005 for a slasher rap beat on fl4 or 5. . Used strings and a dark pad, also a slap bass. I was really into bone thugs n harmony back then, so i really wanted to take the gangsta feel to a whole different level. . It just turned into a slasher thriller horror type beat. . Ofcourse i took the beat off bc i wanted to share only the score. . If used on anything , i would like to watch or listen. If making for a scene, maybe i can extend it for you , hit me up.

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, horizontally 250 mm from side of projector aimed at slide entry hole. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

A soft and subtle, unedited sound recording from my studio in leeds. On the top floor of my terraced house, i have a large window that opens out onto a quiet street in north leeds. A school is nearby, so there are some elements of children screaming, but overall you get a nice wash of bird song, quiet car sounds and mild wind. This recording would be excellent for atmospheric sound for film, tv or whatever else. Feel free to use this sample and contact me if you want some extended recordings as i'm planning on recording a few more field studies from my area, which is lovely and removed from the main city.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Elmo omnigraphic 253af slide projector, similar to a kodak s-av 2000. Turn on, slide change at 10 second intervals, turn off. Recorded on a marantz pmd 661 with a rode nt4, 250 mm above centre rear of projector, angled down at 45º. I needed this sound as part of an audio-visual that mimics a slide show. I chose to record a 10-second change interval (instead of a shorter interval) because that allows me to razor the waveform between changes, and then extend (or reduce) the time between changes. Too short a time interval between slide changes means you'd have to add motor/fan sound between every change.

A diesel flatbed tow truck idles for two minutes, moves the truck into position,backup warning beeps, moves the car back, adjusts the position of the truck once more, extends the rollback tilt-tray, connects the car, winches the car up, retracts the rollback tilt-tray, secures chains to the car, then drives off. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Soundtrack guitar theme. Suitable for intro. I imagine this guitar theme as an intro for a film about skaters, surfers. A scene with the rising sun in an urban city. Of course, you can imagine and use it for a scene that suits you. I can extend this theme as needed. Contact me for that. If you use this sample you >>>must<<< write my name (mareproduction) as a author of this sample and link to this page. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este tercer audio, el sonido es de una moneda rebotando en la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, ralentizar la velocidad y estiramiento deslizante. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this third audio, the sound is a coin that it was bouncing on the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, reduce the speed and extend the sound.

Handing out 2018 christmas gifts after lunch, launceston, tasmania. 11 adults, 6 children, 1 baby. Recorded on a pmd661 with a rode nt4 stereo mic. Six takes, separated by 1-second silence. 0. 00 - 0. 41: general ambience, washing-up sounds in background. “is this a trick present?”. 0. 42 - 1. 45: no washing up. “this is so exciting”, “which anna is this for?”. 1. 46 - 2. 20: “sam, where’d you get all that money?” “probably my best christmas ever”. “is it. Oh, that’s lovely to hear. ”. 2. 21 - 3. 48: “who calls me suzie?” “you’ll love it”. Exclamations and laughter. “from england”. “pickled onions”. 3. 49 - 4. 22: “what takes your fancy?” “anything that you don’t like”. “do you want something auntie jenny? it’s for the extended family”. Piano notes. 4. 23 - 5. 02: baby trying to cry, unhappy. “look at you. Such a big girl now”.