1,662 Royalty-Free Audio Tracks for "Different"

In my vague times, i wonder what the sound of small pieces of wood in the middle of the vastness of the forest, the sound of the trees beating with their different leaves, pity that is just an illusion of my mind, a citizen of the big city where vehicles and crowds make everyday noise. The drum sound and cuica met was really cool to ambient music and sound effect with reduction and increase in volume.

Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Scraping a worker's boot against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

4ch surround atmo recording of the terrace of a café on the freiheitsplatz (freedom square) in graz/austria. About 50-60 peole aged 20-40 are sitting at tables, drinking and talking in different languages, some of them ostensibly in austrian dialect german. . . In the background are the sounds of a peaceful european city in summer, with little traffic in the immediate vicinity. Recorded with a zoom h2these are the rear channels of a 4ch surround recording, mics set to 120° dispersion.

Five rakes of a large wind chime recorded in the studio. I was producing a track for a singer / songwriter who has a beach type song and we needed some effects to add to the atmosphere and wind chimes was one of a few. This is a clean recording. You can use this in all kinds of outdoor samples etc. I recorded five passes for a few different chimes. This recording is unprocessed and has not been edited. Hope you can use them and thank you!-boot.

Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

Hello,this is the_very_real_horst out of duisburg, germany. Sound you'r listening to belongs to two little tibetan silver bowls;those normaly were used in couples of two, three, seven or nine as sacrificial bowl on home altar of tantric buddhisme, with rice, water, salt etc. For they have different sound, i pushed them with my ancient pendant of alittle chinese sword; that i find it sounds good;. Thank you for sharing my interest for ancient musicinstruments. Joy and peace on your way,the_very_real_horst from duisburg, germany.

This is a suona audio segment from 《a hundred birds paying homage to the phoenix》which is one of the ten most famous pieces of chinese folk instrumental music. It depicts the sound of a hundred birds singing in harmony and celebrates the beauty of nature in a lively and cheerful tune, which gives full play to the characteristics of the suona. Its popularity is widespread, with different versions available in shandong, anhui, henan, hebei and other places. The music evokes a love of nature and a life of labor with a warm and upbeat melody.

I recorded these because i neeeded a sound when a player slices a metal object. But it can be used for cooking sounds etc. As well obviously. The later ones are useful for creating loops and the impact usually sounds quite different which offers some needed variation. You can try to add some crackling fire sound if you need it to sound more powerful. There is no need to credit me but i would be happy if you tell me here if you use it and what for :).

I left the recorder locked and unattended in the car whilst we went and did a bit of shopping. It was raining, breezy and the car was parked under a tree in a busy city centre car park next to a main road. You can hear cars passing at different speeds, the rain on the windscreen, doors opening and closing and muffled, distant voices. Zoom h1, internal mics, 50hz high pass at 6db/oct to reduce rumble.

Cars and buses passing by the recorder from left and right sides. Some very near to the recorder in the near lane, some in lanes at a distance. Recorded in brno at udolni street, using tascam recorder, windscreen and tripod. ---in case you use any of my sounds, i will be happy to be informed about it, although it is not necessary. Recording on request of similar sounds with different technical attitude, procedure or format is possible. Just let me know. Recorded in 2018.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

This is another spoopy long background music type thing i've thrown together with pitch shift and time stretch and echo. This one is a bit long to sit through and feels to me like it often needs more space in it, but i have no idea what i'm doing so i'm stuck with what i've got. For background creepy mood stuff there are definitely some good 30ish second stretches in there that are different enough from each other to suit somebody somewhere though, i'm sure.

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different soundscapes. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Aemyn__journey-to-the-interweb. Mp3.

I made a project in cubase which had 12 tracks each playing a sine wave in a different note of the chromatic scale, each sine wave also had slightly varied lfos on volume and pitch. Then i put this sound through the soundtoys crystallizer plug and recorded it while manipulating various parameters. Ended up with 3 minutes of crazy glitched out sounds, use for anything you like!. It gets pretty out of control at some points so don't have your speakers up too loud :).

An sennheiserme66 and me67 on opposite channels, i don't remember which was which(sorry). . But i could tell no real difference during recording (samecapsule, different tube). The mics were near coincident next to canarycage, though shure fp24 and tascam hdp1. Original at 24 bit 96k, down converted to 16 bit 48k. It took allot of intimidation to get the stinking birds to sing. . I threatened violence, finally when alanis morsette played, they gave it up. Otherwise birds would have died (though that may have been an interesting recording too). .

Jemaa el-fnaa is one of the biggest squares in africa, and is one of the most vibrant places i have ever visited. Each time of day brings a very different energy, and one will find snake charmers, musicians, dancers and stands selling pretty anything you could think of. Although busy during the day, jemaa el-fna is swarmed with people at night and can quickly become overwhelming. This recording is from february, 2020, using a tascam dr-05x.

I produced this strangely satisfying sound by dropping a watermelon-shaped canning tomato into a dishpan full of water. Have to get that just about right to get this result. For my purposes i needed to repeat it, but you can do that. It's unlikely that two objects tossed into liquid will sound exactly the same, but it's possible to modify one of the two "ploops" by changing amplification, pitch and even to shorten the waveform to make them sound different. If you need that done let me know.

Tripoli, lebanon, 2009. During the aid el kebir day all the mezzins have to call to prayer. Here is the sunset and those voices are getting mixed all together with horns and motors, birds and some city noises. Mics are set on a high-roof so that we have an aerien feeling. Let's play: how many different muezin will you be able to hear?. Recorded with audiotechnica at822 (xy) on a roofrecorded on tascam dap116 bits, 48khz.

The different creation steps. - creation of a sinusoidal sound of 3s with a frequency of 440hz (la)- creation of an other sinusoidal sound of 1s at the end of the first one, with a frequency of 493,9hz (si)- fade-out effect to gradually decrease the sound volume between 3,80 and 4,00s- modification of the envelope at the end of the sound- wahwah effect with the following parameters :lfo frequency - 1,5hzstart-up phase - 0 degdepth - 30%resonance - 4. 0wha frequency lag - 30%- modification of the sound's envelope to obtain a crescendo effect.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

Placed a thick sweater fabric on a pillow and recorded me slapping it with an open hand. Great sweetener for punches. Cleaned recording with rx4. With a little bit of limiting, compression, and bass enhancement i'm sure this will sound great for your needs!. Equipment: zoom h5 and rodes ntg3. No processing. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Rain in brittany on a windy winter day. I built this sound by mixing several field recordings made on the same spot: a small wood in the south of the region. These recordings had different focuses: some were more wind-oriented, others had more rain. . . Instead of publishing these individual takes, i chose to mix them in order to create a soundscape that would vary in density, depth and spacing. Recorded with a zoom h2n in x/y stereo mode. Mixed in nuendo 2. Mastered in sound forge 8.

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

Recorded on a ipad, which seems to pick up background noise from the subway system. Sorry about that. I am on the train, it stops, i get out and hear an announcement on the other side. This station has two tracks, one running in either direction. Generally, when you hear an announcement, you hear mandarin first (woman's voice), cantonese next (slightly different woman's voice), then english in a man's voice. This is line 1 in downtown shenzhen. Interestingly, the next train going in the same direction of the one i got off, arrives within the time of this recording, about 1. 5 minutes later.

Ambience of road with different kind of vehicle which are passing. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Ambiance de route avec différents types de véhicules passants. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

All my sounds were created for a motioncomic i created called: kay & gojiah. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Https://youtu. Be/-6i5ojsiqhu.

This is the sound of the short part of guitar strings plucked over the headstock, between the nut and tuning pegs. They do not make for any particular sounds, harmonies or melodies, just random tones which may be used for some sound design, noises, jingles etc. I recorded this for my own purposes (game sfx) with 3 different guitars (see the other 2 files as well) and thought i would share it with anyone who may find it useful - if you do, please help yourself and enjoy! ;).

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 4:30am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 5 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 1 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 5 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :). Cenozoic beasts _ animated size comparison. Mp3.

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :).

All my sounds were created for an upcoming motioncomic i created called: madagascar: alex's story. . . I did not create these from scratch, but instead, remixed stock sounds of different roars, growls, breathing, etc. And fiddled with their settings until i got a sound i felt satisfied with. I thought the best thing to do with them after the project was done is to share. So, no need to give me credit. If you really want to give me credit for remixing, go and check out my project and give it some love :).