4,770 Royalty-Free Audio Tracks for "Cs"

Distorted kick i made via a synth generated a sub that was then ran thru fx. Base note is c.

This could also work as a pad if you raise the value of the attack. I'm unable to recall exactly what i used to create this sound so feel free to tell yourself it came from whatever: a bird, some sort of whistle, maybe a whale song, etc. More importantly , please enjoy! -vanszi.

This wave file is prepared as a morphagene reel 48khz, 32 bit with markers (splices) for each sound. They're all tuned to c, they're stereo and have some reverb. It basically turns your morph into a synth voice that responds very well to 1v/oct. I am sure you're going to have fun with it.

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*9 steps in 17 equal temperament on C = F♯ (Easley Blackwood's notation). Equal-tempered: 29/17:1 = 635.29 cents. MIDI pitch bend: 38,75 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on d5 on ~38,75 for 635.31 cents.

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Heavily distorted monster drone in c, using a double bass and viola heavily processed in cubase. Please feel free to credit me if you're using it somewhere. . . ;)contact me for more info!!!.

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.

Luigi Boccherini's Sonata for Two Cellos in C Major, 1st movement: Allegro moderato performed by Alisa Weilerstein and 8 year-old Sujari Britt at the w:White House Evening of Classical Music

A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.

A 303 sample i sampled from my tb303workes great with only this sample in reason fl studio and so on.

Sample of a saron key from an iron gamelan. Basic mic, some compression. The note is pelog 7, approximately a 'c'.

Made using tweaked samples and uvi falcon. All notes are hit in c, different octaves.

This sound was created with vst vox runs module and frequency processing. 120 bpm note c.

The e4 note played on an alto sax.

Foley of someone cleaning a window/glass surface with a dry cloth. Mic: scoeps c-mit 5.

Foley of an old bamboo mat being rustled, also cracking some of the branches. Mic: schoeps c-mit 5.

Neapolitan sixth in C minor.

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 2nd movement (allegretto)

Chord progression with a borrowed chord second: v or Gm in C major.

Sampled a toy glockenspiel. C major scale. Each note runs for 2 bars set to 120bpm. Enjoy!.

A lengthier beep (oh, i'm mixing it up on you. ) once again, sampled from my phone, and once again, in c#.

Recording of music written by Frederic Chopin

Concert pianist Awadagin Pratt performs w:Johann Sebastian Bach's Passacaglia and Fugue in C minor at the w:White House Evening of Classical Music on November 4, 2009. In addition from 11:22 to 11:27, he salutes United States President Barack Obama with a few bars of "Hail to the Chief".

Water glasses tuned to complete the chord structure of i v7 i in c major.

1) vsti elektrostudio model pro + reverb + flanger + delay + equalizer + exciter2) vsti elektrostudio model mini + delay + flanger.

A recording of a bunch of random stuff being dropped on the floor. Recorded with a behringer c-1 on cubase.

Slow death, it's could be used for dying zombie. Software used: audacityrecorded using: behringer c-1udate: 2017-06-23.

Birds, wind, cars, the occasional train. Recorded with behringer c-2 into a mackie onyx blackbird.

Drum and bass fx atmosphere dnb 170 bpm key c.

Busses passing by or idle in tampere areas: city centre, kyttälä and tampella. Weather snowing, temperature -3 c.

Fantasy No. 1 with fugue in C minor, K. 394: fugue's opening theme. Created by Hyacinth (talk) 02:52, 17 January 2012 (UTC) using Sibelius 5.

Thirteenth chord CMA13(sharp11).

A short melody with harmony i composed. Let me know how it turns out for you.

Riff acoustic guitar!. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

*Single note of just BP diatonic scale on C = E. Just: 9:7 = 435.08 cents.

This sound was recorded by me with my tower chromatic harmonica in c scale using audacity. The sound was recorded in barcelona.

Piano Sonata No. 14 in C Minor, K. 457

From a radio broadcast, c. 1932

*Single note of just BP diatonic scale on C = D. Just: 25/21 = 301.85 cents.

Waterlike synth sound generated with u-he zebra 2 - lfo in s&h mode. Essentials: fmo, lfo, reverb.

Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1