4,775 Royalty-Free Audio Tracks for "Cs"

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*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75
Author: Hyacinth
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*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5
Author: Hyacinth
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00:09
*Two-hundred-ninth harmonic on C = A↑♭. Just: 209:128 = 848.83 cents. Limit: 19-limit. MIDI pitch bend: 80,79
Author: Hyacinth
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00:09
*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72
Author: Hyacinth
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*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74
Author: Hyacinth
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*Hundred-eighty-fifth harmonic on C = F+ (Ben Johnston's notation). Just: 185/128 = 637.66 cents. Limit: 37-limit. MIDI pitch bend: 6,76
Author: Hyacinth
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*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4
Author: Created by Hyacinth (talk) 20:37, 16 December 2009 using Sibelius 5 with midi pitch bend on ~154,50 on Gb.
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*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 59 for 84.375 cents rather than 84.47.
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Sonata No. 32 in C Minor, Op. 111 - II. Arietta Adagio molto semplice e cantabile by Daniel Veesey
Author: Daniel Veesey
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*Thirty-first subharmonic on C = D♭- (Ben Johnston's notation). Just: 32:31 = 54.96 cents. Limit: 31-limit. MIDI pitch bend: 75,81 on PU
Author: Hyacinth
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09:14
Sonata No. 32 in C Minor, Op. 111 - I. Maestoso - Allegro con brio ed appassionato by Daniel Veesey
Author: Daniel Veesey
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*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64
Author: Hyacinth
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Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.
Author: Hyacinth
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*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 113,70 for 521.508789 cents rather than 500.
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*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 69 for 315.625 cents rather than 315.64. New version a m3 on 1,69 for 315.6494140625 cents rather than 315.64.
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*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66
Author: Hyacinth
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*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2
Author: Hyacinth
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*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66
Author: Hyacinth
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*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m6 on ~8,79 for 847.08 cents.
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*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45
Author: Hyacinth
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Long inhale through nose. Sniffing a drink. Recorded on behringer c-1.
Author: Joma
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Choir chords made in fl studio sytrus. Chord progression is a minor, f, c, g.
Author: Jditzel
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Badass minimoog bass.
Author: Garzul
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00:32
My 1-year-old-daughter mimi leaves me voicemail.
Author: T
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Recorded during a walk in 10 cm deep snow +/-0 c.
Author: Emmaproductions
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04:17
Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66
Author: Herrmann Scholtz
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07:33
Rendering walls with cement in bathroom. Applying cement render.
Author: Osaka
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Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).
Author: Untitled
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C Major scale played on an Ibanez RG120, with octave effect produced by a Peavey VYPYR 75 amplifier.
Author: WurdBendur
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: arturia microbrutepatch name (pack): micro pianonote: c#2midi note: 37.
Author: Modularsamples
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): cantankerousnote: c#1midi note: 25.
Author: Modularsamples
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-3ppatch name (pack): inspacenote: c#2midi note: 37.
Author: Modularsamples
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): short pwmnote: c#2midi note: 37.
Author: Modularsamples
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I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.
Author: Picturesquesound
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Sonata No. 05 in C Minor, Op. 10 No. 1 - I. Allegro molto e con brio by Daniel Veesey
Author: Daniel Veesey
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