4,775 Royalty-Free Audio Tracks for "Cs"

Schumann-Fantasie In C Major Opus 17- Movement 3- Lento

Sharpened subdominant with diminished seventh chord in C.

*Savart on C. 101/1,000:1 = 3.986314 cents. MIDI pitch bend: 35,65

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Dominant thirteenth chord in four-part writing.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Dominant thirteenth: four-voice version.

Septimal augmented sixth on C. A♭. 1003.8 cents.

Schubert; Moments musicaux, no. 1 In C Major

20 steps in 72-et on C: 333.33.

Beta scale major triad on C. MIDI pitch bend matches intervals.

Supertonic diminished seventh chord in C (D♯=E♭).

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

14-tet scale on C. MIDI pitch bend matches intervals.

*Cent on C. Equal-tempered: 21/1200:1 = 1 cents. MIDI pitch bend: 41,64 Simultaneously and successively.

Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.

Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

*Two-hundred-seventy-fifth harmonic on C = C↑♯. Just: 275/256 = 123.95 cents. Limit: 11-limit. MIDI pitch bend: 84,71

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

*Septimal supermajor seventh on C = C. Just: 35 : 18 = 1151.23 cents. Limit: 7-limit. MIDI pitch bend: 50,80 on M7

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Undecimal fifth tone on C = C↓#+ (Ben Johnston's notation). Just: 45/44 = 38.91 cents. Limit: 11-limit. MIDI pitch bend: 57,76

Leading-tone seventh chord in C major.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Mozart; String Quartet No. 15 In C Major "Les Dissonances" K465, I. Adagio-Allegro

Antonio Lotti's Missa (4v. C maj) - Kyrie by Anonymous Choir

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Viento nocturno b.

Winding a camera.

*Septimal comma on C = C- (Ben Johnston's notation). Just: 64/63 = 27.26 cents. Limit: 7-limit. MIDI pitch bend: 93,72

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

*20 steps in 21-et on C = C↓. Equal-tempered: 220/21:1 = 1142.86 cents. MIDI pitch bend: 91,77

*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73

*Five-hundred-thirteenth harmonic on C = C+. Just: 513/512 = 3.38 cents. Limit: 19-limit. MIDI pitch bend: 10,65

A short ocarina sample i recorded in my studio. This sample was made to be place into a sampler but you can do whatever you want, the root note is c.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.