230 Royalty-Free Audio Tracks for "Crush"

A short jingle made in milkytracker, then bit crushed in audioediting software. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

Rhythm machine single drum hits, crushed and distorted. Ideal for layering your drums. You can use adsr to lower the length of the sounds, since they all have a noise tail. Check out the other sounds from this pack too.

These are some remixes of hello_flowers, the ones here are all the screaming pack hit with some major reverbcut in audacity, tone and pitch taken down and multiplied compressed,and run through d. Blue glitch, (mainly a stretcher a pass a crush andthen a gate etc. ) there are also some pads made from massive.

808 drum sounds played through an orange amplifiers "micro crush" miniamp recorded for stereo ambiance in the original batcave. These work well as drum layers under more conventional sounds, and in other creative ways. Recording assisted by steve and mikro.

I tried to import a raw, pcm audio sample into audacity and it came out like this. It was alot worse when it was imported, right now this is about as audibly palatable as i could get it to. This is still loud, so turn your speakers down a little bit before playing.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

(warning headphone users)microphone plug with bad connection. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2021.

I created this torture sound for a short film i made. I used a verse 504 labtech mic with a sony mini disc recorder in my garage. I smashed a cantaloupe with a hammer adjusting mic placement until i had the desired volume and sound.

Recorded in studio for sound design for a skit show, recorded with audition through a sterling audio st51 microphone into a behringer xenyx mixer direct into a studio computer. The complete sound of an american dollar bill being snapped open, then being crushed, then opened again, and finally smoothing over a finger.

My drum loops created in pro tools from the winston's "amen brother" break. These are just tests, although they do loop quite nice if you line them up right. . . . . Respect to those who want to resurrect old school jungle, hit me up if you wanna collab!big-up to thej_unglistsa_gainstp_erpetratorm_ovement.

Teeth-chattering effect. Raw recording with slight amplification. You can also use this sound as if it were a knife cutting vegetables. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Crushing celery with my hands to simulate some level of "bone cracking". Recorded in staten island, ny june 6, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

Sound of (any) bones breaking. Good for neck-snapping. I recorded myself popping my knuckles and i cut out the silence and this is what came from it. Hope it is what you are looking for. Let me know where you use it! thanks!.

Another sound effect for you guys! this one is of me crumpling a page of paper and making it crinkle - hope you can find a way to use it!. Thanks for listening, and be sure to consider following me if you like this!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

He will be therepoet: maqsood hasnivoice: maqsood hasnifree abuzar electronic book housesept. 2017. He will be there. Dream road never leadsman of the day thinks:man knows nothingand will follow him blindlyif awakessurely, it will be murder of democracywhat democracy?all power for oneif many but depend upon onethat one may crush manyby many how house be rejectedhave no escapedream is nothing man knowsbut dream is sweet and pleasantman is running with all spritsno destination no destination in sleepshe will be therefrom where gets start.

A recording of anything i could do with two empty 1,5 l plastic bottles. A lot of sounds you can squeeze from a plastic bottles. Just no sounds of opening and closing a s i didn't have the caps. Recorded with a zoom h2, rear mics. The recording was done in a small room with a thinc carpet, there is soem natural short reverb but not too bad. Very little background noise. Converted to flac using audacity.

Field-recording of a person walking home at night on a road, summer, the sound of footsteps on dry gravel. This recording is edited down from the longer recording in this pack. I reduced it down to footsteps on gravel, removed the car passing sounds, and removed the gate sounds at the end. This recording is 1 minute and 44 seconds long, 18. 4 mb wav file.

Volume 1 of a new series, 5 minute recordings of me doing stuff with a certain effect/synth, or alternatively playing on my keyboard. Sample/modify/use however you want. Made with fl studio 12, edison, and xfer deltamodulator. If you use this in anything, please put it in the comments, me and other people may want to check it out!. .

Gravado no estúdio com um microfone condensador, de um socador de alho. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recorded in the studio with a condenser microphone, from a garlic punch. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Recording of traditional sneaker with hard rubber sole stepping down on glasses on hardwood floor. Moderate room tone present. First takes are extremely near to glasses on floor, then followed by takes done about a meter away and at waist height. Glasses used were a pair of old metal framed earhook with polymer type prescription lens and an all plastic frame "blue light reducing" pair with plastic lens. Recorded on a tascam dr-05 linear pcm recorder around 11pm on 5/20/17.

Testing csound's cross-synthesis opcodes on some field recordings. Orch:. Sr =44100kr = 4410ksmps = 10nchnls = 2. Zakinit 2, 2. Instr 1. A1, a2 soundin "drags. Wav"a3, a4 soundin "listerine. Wav". Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2. Zaw aconv1, 1zaw aconv2, 2. Outs aconv1*(p4), aconv2*(p4). Endin. Instr 2. A1, a2 soundin "crush. Wav"a3 zar 1a4 zar 2. Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2outs aconv1, aconv2. Endin. Score:. ;gaussian windowf99 0 4096 20 6 1. I1 0 34 1i1 34 34 0i2 34 34. E.

Ah gee. . . . . These are random samples i recorder and am such a lazy i don't want to sort them out. . . . 1 - could be my modified boss ds-1 distortion pedal (i call it the violent ds - 1) (w/ 3 extra capacitors and a transistor or two) going throught it is a boss dr 550. 2 - a yamaha portasound pss - 270 which i cut the fm synth traces too via switch (that was a pain in my ass also!). 3 - a very scary leap frog kids toy named professor quigly. 4 - a speak and math. . . . . . . 5 - sum yamaha thingy i don't know i just call it my raver machine. . . . . . It looks kinda like a cool t. V.

A little thing i came up with while doing some research on how j macis writes music. Found out he puts a capo on the second fret and by doing that this japanese pop chord progression i learned by watching a video marty friedman did on japanese style guitar improv was sounding a lot better than without one. This is free to use but if you do use it maybe throw my name on there, or at least show me what you did!. Recorded with a shitty usb mic i got for 20$ against an orange crush 20rt, effects used were a blues driver and a tube screamer.

Me squeezing a crumpled bag of doritos, recorded with an sm57 going into an m-audio mobilepre usb audio interface. I recorded this because i needed a good rubber stretching sound, but couldn't find one that looped well. When i crumpled the bag up to throw it away, i realized it kind of sounds like what i wanted, and with some eqing and clever layering i could get a sound that's pretty close to what i wanted. I've uploaded the final result under my "processed sounds" pack, but here are the raw sounds for you to use, completely unprocessed. I've left some silence/noise at the beginning/end of these so that you can easily remove the noise if you so choose.

My iphone died, but not completely. The screen was cracked, the battery was failing and it was difficult to make contact in the worn charging socket to charge it. It reset itself frequently and never stayed on in any temperature below 65 degrees f. So i downloaded my data and activated a new phone, but lo and behold, i couldn't turn off the old one. I would have to wait for the battery to run down. For once, the battery lasted. Two days later i listened to the alarm go off for ten minutes. My arms were full of laundry, and suddenly my backup alarm started blaring, loaded with an obnoxious ringtone. My back porch is concrete. My 16-ounce claw hammer was handy.

Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).