516 Royalty-Free Audio Tracks for "Composites"

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Nocturne no. 2 in e-flat major, op. 62

Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

Nocturne No. 2 in E-flat Major, Op. 9

I created this sample by recording rain sound on my zoom recorder and then using a harmonic sound effect in cool edit pro. Great for sound design, film music, and weird compositions.

Music Masters, Hail to Thee, the Tri-M Music Honor Society Loyalty Song. Composed by Alexander M. and Frances M. Harley. Composition copyright dated 1959.

John Philip Sousa's march "Bullets and Bayonets", played by the United States Marine Band

Nokturn Es-dur op. 55 nr 2Nocturne in E flat major, Op. 55 no. 2

Giorgi Latsabidze plays Franz Liszt's Transcendental Etude: Wild Hunt

The march "Jack Tar" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's march "Powahatan's Daughter", played by the United States Marine Band

John Philip Sousa's Jack Tar March, performed by the U. S. Navy Band's Ceremonial Band

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

The march "The Fairest of the Fair" by John Philip Sousa, played by the United States Marine Band

Bach C minor Passacaglia ground bass

Scott Joplin's "The Nonpareil", published in 1907 and performed here by James Brigham in 2018.

Nokturn e-moll op. posth. 72 nr 1Nocturne in E minor, Op. posth. 72 no. 1

Waltz in A minor, B. 150, KK IVb/11, P. 2/11, often designated as No. 19, is a waltz for solo piano

Earth - barbie mower. . . Drum + brush + small aluminum plate. Sony (again!) mz-n707. No overdubs or effects used. These are excerpts from a longer composition which in its entirety is copyrighted. 02/06.

A static audio installation of bells in melbourne, australia. People can go to the bells'website and "write" a composition to be played on these bells. They are only played at set times so not on continuously.

Composition of sounds of what an elevator ride sounds like in old ukrainian buildings. 0,00 - 0,55: button0,55 - 3,60: door close3,60 - 19,50: ride19,50 - 22,45: door open.

Robert Schumann: Kreisleriana, Op. 16, No. 1, "Äußerst bewegt"

Two time signatures at the same time 4/4 and 4/5. . . But if i mix them i have to decide? what is it? experimenting. . . With two qy-10s.

Nocturne E flat major, opus 9 n 2, grand piano

This is some sort of podcast giving an overview of how the project went, including sounds used in the compositions as well as action sounds of the pupils discussing as they are creating their pieces of sound art. Enjoy!.

Drones made with an analog modular synth. The drones are generated by a generative patch.

The Più vivo section in Six Moments Musicaux, No. 4. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 4.png.

w:John Philip Sousa's "King Cotton" Recording date not clear according to CD booklet metadata suggests 1989

John Philip Sousa's march "Sound Off", played by the U.S. Marine Band for the album Sound Off!.

Electronic drumloop extracted from a song that originally includes "asdsdasd. Wav" too but that particular synth pattern was later used in another song, but in a bit modified composition.

A short loop cut from one of my original compositions. Created using fl studio pro, audacity, yamaha psr463 synthesizer and zoom r8 portable studio.

Opus one is arguably the first fragment of professional contemporary classical music ever composed by a computer in its own style.

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

Étude Op. 25, No. 12 — allegro con fuoco.

Gymnopédies - la 1ére. lent et douloureux

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Peer Gynt Suite No. 1, Op. 46 - II. Aase's Death

The day has been long, and his feet ache. His sword by his side, he takes a quiet seat in town square - weary but glad that the guardsman's break has come. Original composition using the in game lyre gadget in genshin impact. Please use it how you wish, but do let me know what you use it for. I would love to see it in use somewhere.

I made a small composition by just layering my voice and trying to stay in tune. Hope this is good enough. Although if it's not, you can edit it and stuff. All of this is just my voice.

I needed a nice clear, slightly ominous match being lit, and so we created this composite using kitchen matches in the shower with a zoom h2.

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

John Philip Sousa's march "The Man Behind the Gun", played by the U.S. Marine Band for the album Uncommon Valor.

Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.

Recorded with my zoom h2, but i need it cleaner (and maybe less hesitating) for a composition. Who could record it for me and send it me back? any other instrument welcome too. Thanx.

Recorded by myself and students at california state university, chico for an electro-acoustic composition project of mine. Apogee duet + sennheiser k6 (shotgun capsule).

Soundscape made in the frame of the city rings project november 2013. First composition combining 5 mysounds after discussing texture and layers: session one at gems world academy - etoy.