La Bohème, composed by Giacomo Puccini, sung by Adelina Agostinelli (1882-1954). "La Bohème", compuesta por Giacomo Puccini, cantada por Adelina Agostinelli (1882-1954).
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Techno version of the intro to the national anthem of republic of lamb. Composed by cargill linn. I hope i interpreted the score correctly. Or do you say notes? scores?. Anyway. . . You get it.
This is a sound effect i composed out of some different sounds i made, i also used a public domain sniper rifle sound. But, i recorded the screams and everything.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Recorded for "cindarella" a theatre play for young audience at junges nationaltheater mannheim. I used a perforated music box to compose this melody. Close recording in a room with alot reverb using a zoom h4 without using audio effects afterwards.
The sound of some apples dropping with a nice, soft thud on a forest floor composed of wet leaves and soft pine needles. You'll also hear a light background of forest birds in the background.
Choro "Atraente" composed by Chiquinha Gonzaga in 1877[1]. Played by Pixinguinha with the saxophone and Benedito Lacerda in the flute. "Atraente" is one of the most influential music in Rio de Janeiro
Inamorata melodie nuptiale for piano' 1913 by George De Cairos Rego (1858-1946) Inamorata [music] : melodie nuptiale for piano / by G. de Cairos-Rego[1], Nicholson & Co, (Please provide a date or year)
Author: George De Cairos Rego http://nla.gov.au/anbd.aut-an35454711
This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.
Author: Mamie Smith & Her Jazz Hounds, Perry Bradford (1893–1970)
Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.
Adieu de Mimi de l'opéra La Bohème composé par Giacomo Puccini (1858-1924), interprété par Nellie Melba (1861-1931) en 1926. Addio di Mimi ("Donde lieta usci")
A link to my instrumental music composed only of my sampleshttps://youtu. Be/iqddwaji3s0?t=14. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.
A link to my instrumental music composed only of my sampleshttps://youtu. Be/iqddwaji3s0?t=14. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.
This is link to my instrumental music composed only of my sampleshttps://youtu. Be/iqddwaji3s0?t=14. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.
Stille Nacht, heilige Nacht (Douce nuit, sainte nuit) composé par Franz Xaver Gruber (paroles de Joseph Mohr), interprété par Ernestine Schumann-Heink (1861-1936)
This is a short glockenspiel composed on musescore for my visual novel. I needed a short music box melody and i wrote a small excerpt from mozart's magic flute as i remembered (this means that probably is not 100% accurate). If you might have a use for it, be my guest.
As the title describes: a cinematic atmospheric element. A compilation of 6 different synths including a percussive base line underneath. Composed on magix music maker 2016 live, with cinematic synth, analogue synth & dn-e1 synth.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.
The hunt was successfull!. Orchestral jingle, loopable,composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.
That Mysterious Rag by Irving Berlin and Ted Snyder. Composed in 1911, and performed in that year by the Premier Quartette, also known as the American Quartet. Edison Standard Record #10539.
Author: Irving Berlin, performed by Billy Murray, recorded by Edison Mfg. Co. (New Jersey)
Orchestral jingle, loopable. Composed and rendered using ableton live. You are free to do whatever you want with this snippet. . . Although i'm always interested in hearing new projects using this loop!.
This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.
A link to my instrumental music composed only of my sampleshttps://youtu. Be/iqddwaji3s0?t=14. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.
This is link to my instrumental music composed only of my sampleshttps://youtu. Be/iqddwaji3s0?t=14. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsa. Facebook. Https://www. Facebook. Com/simplesamplesweb.
Wasn't going to upload this, but it was pointed out to me that it sounds like the intro to a song in a minor key. Not sure i see that, but the suggestion is that some composer will seize on it as an opening to an instrumental that fits it. I want to see if that will happen. If that's not practical, i feel sure someone will find a use for it.
Douce Dame Jolie, 1-part Virelai by 14th-century composer and poet Guillame de Machaut. After an edition in Timothy Roden, Craig Wright, Bryan Simms, Anthology for Music in Western Civilization, vol. 1, p.103.
