852 Royalty-Free Audio Tracks for "Blue"

Several recordings of a cardboard box being opened at various speeds and urgency levels. Recorded on blue snowball for the super legit podcast.

Fairly large, aluminium wind-chimes. 6-chimes. Top note is f. Recorded using a blue yeti usb microphone.

Recorded with rode mic at home. Gentle zaphir wind-chimes blue moon. Great for meditation tracks.

Recording of dogs barking and whimpering at an animal shelter. (no animals were harmed in the making of this recording). The recording mic used was a blue snowball mic. .

Night time on the porch in soufriere, st lucia, with the cicadas kicking up a crazy beat - recorded with the fire application on iphone and a blue mikey.

Analog delay on fender strat through fender blues deluxe in bm.

Recorded with audacity using hydrogen drums, a line 6 amp, jackson dinky guitar, bass is guitar pitched down with audacity.

I recorded this analog clock i bought at walmart using a blue - baby bottle microphone, the clock was 3 inches away and the room static is plain.

I recorded my printer with my iphone and the mikey from blue microphones. Then i edited, gated and processed the hell out of it.

Metal door handle unlocking and door creaking as it opens(recorded with blue yeti).

Bass drum though boss bd-2 blues driver. 145. 8bpm.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Wet dripping dribble water-tap on plastic tub in a sink.

The U.S. Air Force Blue performed by the United States Air Force Band in 2013

I ate a tortilla chip in front of my blue yeti. Let me know in the comments what you use it for.

Character 3d by #b3d (my mom)#indygame #indydev by flowlab. Iolet's playing onhttp://www. Flowlab. Io/game/play/895886(computer only #flash).

A short sample of me typing on my pok3r mechanical keyboard. Recorded with a zoom hd.

Single key presses of multiple keys on a mars gaming mkrevo keyboard. Recording device: blue yeti.

Impulse response of the guitar loudspeaker captured by the audix i5 microphone.

Me growling angrily into my mic to immitate a monster. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

Putting on rubber blue latex gloves, like those seen in hospitals or medical environments. Other rubbery noises while gloves are on.

A metallic percussion loop over a chord progression in c major on piano. Perfect for your blue man group cosplay!.

A recording of a lego brick tapping a posterboard mat. Good for lego stop motion (brickfilming). Recorded with the blue snowball ice. Note: this track is not edited.

Come May performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 10 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

Crowd noise, dishes clattering as they are bussed, and street musicians in new orleans at the french market.

A groan from dr. Frankenstein's monster. Recorded by igor on a blue snowball usb mic.

Ｓｕｍｍｅｒ™　Ｂｌｕｅｓ by Anonymous420

The sound of cooked ramen in a bowl being systematically moved around said bowl. Recorded for my sound design class using a blue yeti microphone.

Opening riff to johnny b. Goode by chuck barry. Recorded in studio one. Amplifier plugin - drive british.

Wooden percussive frog being rubbed. Recorded on yeti blue condenser.

Me growling angrily into my mic to immitate a monster. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

A card, like an id or credit card, colliding with a hard surface. There is multiple collisions from different angles. Recorded with a blue snowball.

Made in fl studio using different soundfonts, distorsion is in it's limits with this one ahahaha. . . It took me around 1 hour.

A collection of sounds of a plate being placed on a table at various levels of intensity. Recorded on blue snowball for the super legit podcast.

I shook a spray paint can. You can hear the meatal ball in there. Recorded on a blue yeti.

Sounds of a small vibrator or personal massager being turned on, running for a short time, and then being turned off. Recorded on blue snowball for the super legit podcast.

Typing fairly fast on my laptop. Blue snowball used for recording, set on setting 1, no filters.

The sound of a back door lock being engaged. Recorded on my blue yeti.

Some nervous tiny creatures babbling. Suitable for sci-fi or fantasy, minions or alike. Recorded using a blue snowball ice microphone.

Me growling angrily into my mic to immitate a monster. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

Me growling angrily into my mic to immitate a monster. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

Me licking my hand to imitate a comical sound. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

2 minutes of ticking and tocking. There are some nice secondary clicks and slides. Blue yeti.

Recorded indoors on my blue snowball. A trick taught to me by a foley artist, it is the rattling of a tissue box to make the sound of a helicopter.

Beeping sound my computer makes to start up. I used it for a cash register sound.

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.