1,152 Royalty-Free Audio Tracks for "Bend"

Analog crt tv electronic static noise audio from when i was experimenting with circuit bending and synthesizers earlier this year. Recorded on an iphone using the ios voice memo app. No post-production.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.

Scrapping and bending cheap alu. Exactly, its the cap of a cheap alluminium box,scrapped over with a metallic brush full of cat's hair. Lol. Pure spontaneous improvisation. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

The sound of bending a file folder in various ways. No credit is required to be given when using this sound. However, i'd be happy to know where these sounds are being used and what projects the community is working on!.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

I have no idea if this is sounds real but i hope it does a little. I created this with virtual guitar program. I played with the pitch and volume. Its all free enjoy.

Tritone on C = F♯/G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: 0,64 Midi created in Sibelius.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Leathery sound made from my keyboard pressing against clothing. Cleaned up audio to remove any unwanted noise. 3 other variations of this sound can be found within the "leather stress" pack. Recorded on sony pcm-a10.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Some variation of breaking bones. If you want to have this kind of sound costumized for your project, send me a message. Feel free to use it as you like and share your project! i will glad to show that on my social media. Enjoy!.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

I recently found this awesome sounding metal cover in my workshop and decided to do some high quality recordings with it. I used akg c414, a neve portic 5012 preamp my rme bayface and some slight postproduction (compression and slight eq). The sound is open source and can be downloaded in 24bit wave here.

The same sample with some reverb added. Makes it sound a bit more eerie, maybe just funny. <scrapping and bending cheap alu. Exactly, its the cap of a cheap alluminium box,scrapped over with a metallic brush full of cat's hair. Lol. Pure spontaneous improvisation>. Recorded with a ultra cheap microphone unit of my mp3 player. Reduced noise.

Bought a piece of 12"x24"x22awg copper sheet metal last week and was fascinated by the warble noises it made when i picked it up out of the box. Recording: easy voice recorder (android) on a samsung s7. Post-processing: 2-pass noise removal with audacity due to fluorescent light hum and other background noise.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

A single creaking wooden floor step. This is one of multiple similar sounds and one longer recording with 4 creaks in the same sound pack. Cc0, so no need to give credit. If you want, let me know what you used the sounds for as i really like hearing about other people's projects :).

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Playing around with an atari punk console that a friend assembled. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This sounds were a mix of different recorded with tascam dr07,the sounds were achieved from:. --blowing on a sponge--swiping a finger on the wall--waving a cardboard for the low sound--dragging a brush on the wall--air sounds with pich bend effects and modulation fx. The sounds were mixed and edited in adobe audition.

I was recording wind that blows in my window, but the zoom h2 placed on a (cheap) mic stand after some time started to bend itself downwards. It hit the curtain/drape in my window and rubbed itself against it until reached the lowest position - the mic stands arm stopped gently as it started. This produced a very interesting sound that i totally didn't expect to find on the recording. Edited with audacity.

Playing around with an atari punk console that a friend assembled which has two light sensors instead of knobs. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

A recording of anything i could do with two empty 1,5 l plastic bottles. A lot of sounds you can squeeze from a plastic bottles. Just no sounds of opening and closing a s i didn't have the caps. Recorded with a zoom h2, rear mics. The recording was done in a small room with a thinc carpet, there is soem natural short reverb but not too bad. Very little background noise. Converted to flac using audacity.

Raw sound of squeaking tram in bend, departing from depo to tram stop. Includes interesting sound of crackling electricity in rails. Recorded in brno at namesti miru square, czr. In-hand recording, tascam recorder + windscreen. ---in case you use any of my sounds, i will be happy to be informed, although it is not necessary. Recording on request of similar sounds with different technical attitude, procedure or format is possible. Just let me know. Recorded in 2018.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

An awesome Cuckoo Clock Sound effect for some crazy lunatic out there. Sound taken from a public domain movie, so the sound remains public domain. I reworked it.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

Basically i recorded a fidget spinner spinning into my windshield of my condenser microphone, it made a cool low end sound. I made some post processing at the end just to make it sound more cohesive. The sound is tuned to g but the pitch slightly bends.

Electric garage door opening, with a few seconds of outdoor ambience at the end. This is the mechanized kind of garage door that bends and rolls up in the ceiling of the garage. Nady scm-2090focusrite saffire pro 24 interface/preampmacbook prorecorded in logic at 16/44. 1normalized in soundtrack prono other processing.

This is a casio sk-1 i did around a year ago or so from reeds book plus a video out and 18 on board rca jacks with another 25 pin dpi that can run through a breakbox. Noise and bent sounds as usual. Crashes alot. Oh and it's not the hardest "mother of bends" serious, i wore socks and everything. : ).