4,071 Royalty-Free Audio Tracks for "Bass"

Based on a sawtooth generated in audacity and then playing with speed and paulstretch and fade filters. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

My piano music on my youtube channelhttps://youtu. Be/bldz4oblauy. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

My piano music on my youtube channelhttps://youtu. Be/bldz4oblauy. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

My piano music on my youtube channelhttps://youtu. Be/bldz4oblauy. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Feel free to use the sound anywhere you want (even commercially). If you can, please, give us feedback. We care. Get the the remaining 146 mb of modern basslines sample pack at our website. Www. Audiowizzards. Com. Made using the amazing mpowersynth + our very own fx chain [which is going to remain our little secret]. Thank you.

A roar for a kaiju style creature. Lions, tigers, bears and a hint of whale song. Most of the sounds (a couple of bass instruments, several animal roars) come from garageband, along with some recordings of a human made on a zoom h1. All mixed together in final cut pro x with some pitch and reverb effects thrown on top for good measure. For attribution, please credit www. Laughingwiththestorm. Net.

One of my early psy goa trance base sample packs. I think it starts at c2. I have never seen a set of psy base samples on the net, thought i'd put them up. If anyone has a set of sampled bass for psy / goa available, please tell me, i'm still learning, so these are surly not as good quality as they could be! have fun exploring inner space!.

Here is a nice loop for every electric or goa or trance song. Let me know if you used it or let a comment below if you like it. You can also ask me for producing for you if you let me know what you want. I´ll try my best! thank you and i hope you like it!.

Arrangement of Legend for castanets, bass and guitar Čeština: Hudební skladba Asturias (Leyenda) nebo pouze Leyenda španělského skladatele a klavíristy Isaaca Albénize (1860-1909). Эрзянь: Астурия (Валкортамонь невтема) эли Валкортамонь невтема — те седямонь сёрмадовксось, арсицязо Исаак Альбенис (1860-1909), испанонь седийсёрмадеесь, пианосоналксиесь. Kompozycja Asturias (Legenda) hiszpańskiego kompozytora i pianisty Isaaca Albéniza w aranżacji na kastaniety, bęben i gitarę.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

Nyc subway train arrives, doors open, announcement of direction, doors close, train departs. I stood on the platform at the montrose l station with a sony minidisc and recorded the entire process of a nyc subway train coming and going. Low noise, though you may wish to use a high-pass filter as there is so much bass in the material.

The sound of a cracking wood. Recorded within the shooting for my new film https://youtu. Be/xfj8mbsuoec. You can use this sound for free. It would be nice if you add this to your credits:sounds by https://www. Youtube. Com/user/diramus. Sound recorded with the tascam dr 60d and the rode ntg1. Thanks for using ;).

Need a sound effect for clicking a button on the escape menu or main menu, well here it is! click on my account for more button clicking sounds if you don't like this one, they are all made by me. Want to know how to make your own? grab a stick, break and snap it into the mic, add some bass, and cut out a little bit of the sound effect.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

I created this 64 bar loop in bitwig using a sample loop that comes free with the software, next i used a multiband fx plugin with automation controlling amounts and cutoff's which then in turn had various effects on the seperate bands and as you can clearly hear i used the glitch2 vst mostly on the mid frequencies, which in turn had automation controlling/changing it's presets.

Sounds like the jaws theme song bass sound. These sounds are actually an xm with a changed file extension to. Wav, and then loaded into a wav editor which converted it to a readable format. I then removed the unbelievable noise to see what i ended up with. After that, i cut out the parts that sort of sounded cool and these are some of the ones i am willing to let everyone have.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

I was looking for a sound that fitted a dance studio/recording studio reception area so i mixed a few sounds together and came up with this. It has traffic sounds, various bird sounds, indistinct chatter, a thumping bass in the background like in a room on the floor above and a harmony group practising somewhere else in the building. Could be useful for a radio play, movie scene or theatre play.

It's a sound you usually can hear in a horror movie. It makes your blood freeze if it wasn't ice already. It has medium attack and very long decay. The sound's timbre is similar to what a metal gong could do when hit inside a cathedral. Synthesized with zynaddsubfx inside lmms. Rendered as 96khz/32-bit. Edited and normalized in audacity.

Another psy goa trance base sample pack. The fist sample is just a spacer. I think it starts at e1. I have never seen a set of psy base samples on the net, thought i'd put them up. If anyone has a set of sampled bass for psy / goa available, please tell me, i'm still learning, so these are surly not as good quality as they could be! have fun exploring inner space!.

I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.

A short segment as i played along with the ramones' song: my brain is hanging upside down. I recorded it on my roland td-9 module and edited it in sony sound forge and sony vegas. There's a slight buzz that i get and i tried to clean it up as best i could with noise reduction. Someday i'll figure out what is causing the buzz. Please comment on what you may use it for. Thanks :-).

Sound designsynth voice of your own design (i used to create the sound among others: ambient, vocal, analog synt sounds). Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Free short dark music on my youtube channelhttps://www. Youtube. Com/watch?v=xu480fyi0ua. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

My piano music on my youtube channelhttps://www. Youtube. Com/watch?v=pnt5op0c_vc. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

My piano music on my youtube channelhttps://youtu. Be/bldz4oblauy. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 60 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

A 30-second loop i made (part of a larger song) experimenting with house and funk, and trying to fit in as many sounds as possible with no regard to the norms of good audio quality. Influences drawn from kool and the gang's "stand up and sing" and the jane remover remix of "4ever" by that kid. Anti-copyright. Feel free to use, alter, bootleg, pirate, and distribute however you see fit.

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

Title ting Artist thore Original mp3 data Length:0:06 minutes (140.66 KB) Format:MP3 Stereo 44kHz 192Kbps (CBR) User tags *ting*, Bell, Cowbell, hitting, Metal, Overtones, short, Steel Type Single Subject, Tone / Tune, Experiment PDSounds record number 389 Comment I recorded a steel coffee pot. struck by a metal knife. The Zoom H2 was placed in the empty coffee pot. Recorded at 48KHz 24bit 4-Way surround. mixed down to Stereo. Lots of overtones and a bit bass. Good for sound experiments

I've been looking for a similar effect for quite a few years and no one has built one. So, using a simple synth and bass drop worked wonders for what i needed. The sound effect is from the matrix and is the sound heard near the beginning when the police are attempting to arrest trinity, just before the agents get upstairs. When trinity jumps, this is that effect.

More loops on my youtube channelhttps://www. Youtube. Com/watch?v=e0p-217_b8y. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 90 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Oy Chanukah performed by the Airmen of Note of the United States Air Force Band. Track 11 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

O Christmas Tree performed by the Airmen of Note of the United States Air Force Band. Track 5 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

I made this instrumental music in two versions, with and without drums. This is with drums. I did it in garageband for a thing called victors crypt. I made a bass-line on a doublebass that i played around with. Like the fact that it's groovy and a bit dark. Added a drumbeat i made that i think suited the bass-line. Strings are always cool so added that and more. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

boo (i got you good) is made in garageband for a thing called victors crypt. I'm currently in a beat 'n bass-mode it appears. Made this drums on a vintage-sounding drum-machine and added some sampled drums for a more vital sounding beat. Wanted a cocky big bass-line and some spooky music box stuff, sci-fi synth and more. It's space and horror meeting groove i guess. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

convoy through space and time is a short piece of music i made in garageband for a thing called victors crypt. I feels a bit "spacey" sci-fi-sish i think. And has the feeling of a journey i think. Made it with a futuristic bass-sound along with a nclassic p-bass. Blended drum-machine with sampled drums and added melodies with a kind of retro synth sounds. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

**warning**: do not play this sound with full volume on speakers with an amplifier; you risk damaging the driver through exertion. Format: wav - 24 bit, 44. 1khz [mono] - loopabledescription:a 30 second long pure sine wave of 14hz, at a constant spl level of -5 decibels. The audio file is loopable with a coherent crossing point from end to beginning. If you would like to read up on the infrasound phenomenon go here:http://goo. Gl/gmbsvm. Methodology:synthesis generation in sound forge pro macosx. -------------. This can be used for experimental purposes. I used infrasound in a horror film; attempting to create a physical sense of terror with the motion picture at specific times. It is believed by some that a high enough amplitude of infrasound can be used as a weapon. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this sound is licenced under cc0 [public domain] - so you are free to use and abuse it. I wouldn't mind a credit though if you're feeling generous. . .

This is a foghorn-like sound that i created using an accidentally recorded poot from a friend. I stretched the sound bite a few times while lowering the pitch, added a couple different reverb effects, and then finished it with some parametric eq, raising the bass, and using a low pass filter to cut out the high frequencies. If you would like the original poot sound, i have also uploaded it as fart sound 1.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

There is a new freeware program called splitte. Aithat will take any piece of music and extract parts from it. It is highly inaccurate when trying to really accuratelysurgically remove, say, bass, drums, guitar or vocal tracks,but it creates some really trippy artifacts. All of these sample were from a live jazz tune that we were playing. The results of splitter splitting the tracks were really weird and ethereal. I have no affiliation with splitter. Ai, by the way, i just stumbled on it thisweek.

Wrote/recorded a free orchestral tune at 175-bpm using ableton live 9. Ableton stock plugins used: braskinski, grand pianoezdrummer2 used for percussion sections. Kontact5 used for trumpet, trombone, string, bass sections. Guitarrig5 used for electric guitar elements. -15. 0 lufs integrated. -2. 1 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.