4,071 Royalty-Free Audio Tracks for "Bass"

Wrote/recorded a short jazz song at 120 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Additional notes:-15. 1 lufs integrated-3. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Wrote/recorded a short jazz song at 100 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Additional notes:-13. 3 lufs integrated-2. 7 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumsroll trance trance sample compressed tight drum.

A loud and dramatic horn. Known from the movie "inception. " it was created viaa recording of myself playing an ab note (below the scale of bass clef) on my bbb tuba and then adding things like distortion, echo, fade, etc. In audacity to make it almost identical to the dramatic horn from "inception. ".

This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.

Exciting music i made in garageband for something called victors crypt!. Started out with a drumbeat as well as a bass-line. Did that bass pretty fat and in your face and added some instrumental spice to it. Think it would suit anything creepy, scary, cool, big, suspence, horrific, sci-fi, mysterious or anything you can think of. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Ambient sound at a harbor - boats at the dock, waves lapping, sails/flags flapping. Recorded with a sennheiser 416 into a sound devices 702 recorder. Used a bass rolloff to remove rumble. Processed and edited in protools 10. Recorded at burton chace park in marina del rey, ca.

Created using lmms ( linux multimedia studio ). Here i have used zynaddsubfx for the hoover type sound and 3 instances of glitch2 vst on the drum loop that i created. There is some compression, stereo widening and side-chaining used also.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

Cinematic impact. Dark, distorted, large, powerful. Original samples made using an acoustic guitar as a resonator for an electric bass, and recorded using a zoom h4n. Processing includes layering, reversing, amp simulation, distortion, delay and reverb. Recorded for my personal a sound a day challenge (asoada).

Out of my voice, i have created this dark choir by stretching my voice so that it sounds like more people are singing. I hope you like this.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

For you today this fat, massive hip-hop beat, processed with lots of bass and sub, ready for use in your musical project!crafted by hand, original and never used before! do what you want with it (can be used commercialy) ,. . . Enjoy!.

Purpose is space-ship idle background engine drone. Created in flstudio10.

Recorded near a drainpipe, i have no idea what the bass wind sound in the background is. I think it was some sort of exhaust from the basement around, but i don't know why it turned off and on. In any case it makes for a very spooky ambient effect.

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especially the drum solo and breaks!.

A short ringtone made by feeding a 4 bar mixolydian melody through a granular synth, and a bass tone made with native instruments' massive. I intend on using this to wake up to every morning, and i hope it's useful for whatever situation you'd like to apply it to. :-) no credit necessary.

Recorded on a zoom h4n in stereo. The lions were fairly far away. I've amped it a bit make them louder and removed some bass rumble. We actually had lions walk through and roar (!) in our camp one night! unfortunately i didn't have my recorder running then. It was deafeningly loud! next time!.

Summer time in the carolinas, sounds of the carolina suburbs with slight air conditioning din in background but not to noticeable. Recorder with a zoom h5 with x-y mic and treated with a bass roll-off eq to reduce some of the air conditioning noise.

Sound designmusic sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Sound designmusic sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Simple drum & bass loop made with stacked drums. Each drum sample, if you'd like to use them separately:kick: https://freesound. Org/people/ianstargem/sounds/274775/snare impact: https://freesound. Org/people/alexthegr81/sounds/275410/snare release: https://freesound. Org/people/eryps/sounds/435389/snare (subtle white noise): https://freesound. Org/people/rossgalloway/sounds/176001/.

Loopable eletro hit made in fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

An old hard drive starting up. The idle sound is from the hard drive itself and not the computer's fan noise. Some minor editing has been done to remove a slight bass rumble from the computer's fan. Recorded on sony pcm-a10.

Live drum recorded 10 years ago with my sm 58 mic on the snare and another (kick) drum mic on the bass drum, fed into some mixer then into my line 6 tone port that went into my ableton live session at the time. Sorry i dont recall any other details.

Holding a metal bell by its tongue, i’m rhytmically shaking it to make this sound. Reminds sleigh bells a bit. Sound of a couple of links joining the tongue to the bell body is prominent. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

Strega processed o-coast generated o-ctrl sequenced rhythm modulated in and out of synchopy with "the witch". Rendered in reaper @48khz 32 bit with markers for all you morphagene fans out there. Enjoy!.

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

A kick drum produced for moody trance project. Production process: sound generated from kick synth; signal splitted in two bands; high band signal filtered, distorted and panned (this gives nice roughness and makes kick sound pretty good with center panned bassline); low band signal equalized with some re-verb; both bands mixed back together.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

This is an electric guitar loop i constructed in logic 9 using musiclab's realstrat and realeight. Nice plug-ins. Check out prominy if you are looking for even more realistic virtual instrument guitars. 106 bpm.

A sample from my completely free looping pack. Redistribution + repackaging of these samples verbatim is prohibited. Download the entire pack here: https://sampleme. Sellfy. Store/p/free-looping-female-vocal-samples/.

This acid loop was created in cubase 10 years ago at 112 bpm with a free vsti called rubber duck. I've added lfo filters to move the sound across the eq ranges, together with reverb and an 80s ballad amplitube effect. Compressed to equalize the output.

You can buy soundtracks here for any of your project:audiojungle. Net/user/misterbates/portfoliopond5. Com/artist/retykristof948. This music has free rights. You can use it in your project, but please credit the name of the author and music. Youtube. Com/@phobos212/videos. Music by misterbates.

These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.