1,608 Royalty-Free Audio Tracks for "Bach"

Toccata and Fugue (Johann Sebastian Bach) by Jaan Patterson

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Bach, Cello Suite no. 1 in G major, BWV 1007, V. Menuets I et 2. Interprété par Pablo Casals.

A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

V of V in C, four-part harmony. From Bach.

Invention 8 (BWV 779)

Invention 8 (BWV 779)

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

Opening orchestral introduction to J.S. Bach's Cantata, BWV65.

Aria, Goldberg Variations

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Evang. Gesangbuch 289) von Rabanus Flavus (Peter Gerloff)

Experimento segregación del flujo auditivo. Cuatro medidas de una composición de j. S. Bach. Cuando se tocan con rapidez, las notas superiores se agrupan perceptualmente, igual que las notas inferiores,.

Variation 4, Goldberg Variations

Variation 7, Goldberg Variations