27,807 Free Images of Yale

yale center for british artetchings in the yale center for british artetchinghand-coloredjames gillraypaperisaac cruikshankgraphiteprints in the yale center for british artlaid paper
..'with Dirges due in sad array,/ slow through the churchway path we saw in him borne.../Approach an dread...', John Pye
prints in the yale center for british artjohn pye
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc., Thomas Ryder, 1803
prints in the yale center for british artthomas ryder
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc., Thomas Ryder, 1803
prints in the yale center for british artthomas ryder
Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal, Joseph Farington, circa 1798
sketchbooks in the yale center for british artjoseph farington
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One), William Angus
prints in the yale center for british artwilliam angus
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One), Samuel Rawle
prints in the yale center for british artsamuel rawle
Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One), William Angus
prints in the yale center for british artwilliam angus
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One), William Watts, 1780
prints in the yale center for british artwilliam watts
Sketchbook Drawing, Sawrey Gilpin, 1787
sketchbooks in the yale center for british artportrait drawings of thoroughbred racehorses
The Bocas from the Old Fort, Maquerite, Michel-Jean Cazabon, 1857
gouache works in the yale center for british artmichel-jean cazabon
A Delitanti Performance of Midas at Turnbridge Wells, October 1792, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
All of One Mind or a Mutual Agreement amongst Traveller, Richard Newton, 1794
etchings in the yale center for british artrichard newton
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found", James Gillray, 1796
etchings in the yale center for british artjames gillray
Full-Length of Soldier Carrying Gun in Hand and Gear on His Back, Joseph Cartwright
drawings in the yale center for british artjoseph cartwright
Knighton, the Seat of George M. Bisset, Esq., Richard Bernard Godfrey, before 1781
etchings in the yale center for british artrichard bernard godfrey
The Freemen Triumphant or the Mare Foald or Here Folly, Isaac Cruikshank, possibly 1789
etchings in the yale center for british artisaac cruikshank
What a Man Buys He May Sell. Blackstones Commentaries Page..., James Gillray, 1788
etchings in the yale center for british artjames gillray
Hell in an Uproar: or an Express from the Committee, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Bond Street Battalion - or the Hospital Staff from Holland!!, John Cawse, 1799
etchings in the yale center for british artjohn cawse
Over Weight - or the Sinking Fund - or the Downfall of Faro, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The First Interview, or the Presentation of the Prussian Pearl, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Salus in Fugâ - La France se Purge Petit à Petit, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Long-ships Light House, Land's End, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
View of the Gate of St. Denis taken from the Suburbs, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
The King's Entrance to the House of Lords, From Poets Corner, William Deeble, 1829
engravings in the yale center for british artwilliam deeble
Turbaned Cavalryman, Right Arm with Curved Sword Upraised, Henry Thomas Alken, between 1827 and 1851
drawings in the yale center for british arthenry thomas alken
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, William Faithorne, between 1660 and 1690
etchings in the yale center for british artwilliam faithorne
The Illustrious Lover of the D. of Cumberland Done Over, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
George, Prince of Denmark (1653-1708) and Consort of Queen Anne of England (1665-1714), J. Cooper, circa 1720
portrait paintings in the yale university art galleryj. cooper
View of St. Cloud and Mount Calvary taken from Pont de Seve, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary, John Claude Nattes, 1812
drawings in the yale center for british artjohn claude nattes
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
S.E. Fakeer's (Fakir's) Rock in the River Ganges near Sultaungunge, Thomas Daniell, circa 1790
drawings in the yale center for british artorientalism
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry, Henry Thomas Alken, 1823
drawings in the yale center for british arthenry thomas alken
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
View of the City with the Louvre &c., taken from Pont Marie, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890, Leslie Ward
chromolithographs in the yale center for british artleslie ward
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat, Henry Thomas Alken
drawings in the yale center for british arthenry thomas alken
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A View of the Great Room, etc. at Hall-Barn, William Woollett, 1760
engravings in the yale center for british artwilliam woollett
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Otostegia tomentosa: outline sketch of flowering stem with details of flowers and leaf, Luigi Balugani
drawings in the yale center for british artluigi balugani
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
Londres. Vue Prise de la Tour de l'Eglise de St. Paul, Henry Walter, 1860
lithograph prints in the yale center for british arthenry walter
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, James Gillray, 1791
etchings in the yale center for british artjames gillray
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon, William Say, 1811
mezzotint prints in the yale center for british artwilliam say
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Peace Offering to the Genius of Liberty and Equality, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Wet Party or the Bogs of Flanders, a New Song, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again, James Gillray, 1792
etchings in the yale center for british artjames gillray
Rear View of a Man Caricaturing the Current Costume Fashion, James Gillray, 1802
etchings in the yale center for british artjames gillray
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
A View of Part of the Garden at Hall Barn, William Woollett, 1760
engravings in the yale center for british artwilliam woollett
Plan of Mud Island, off the Kingdom of Corsica, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
A View of the Molo and the Riva degli Schiavone in Venice, Francesco Guardi, circa 1750
italian paintings in the yale university art galleryrococo
The Band of the 23rd Fusiliers, Michael Angelo Hayes, 1838
watercolor paintings in the yale center for british artmichael angelo hayes
Clare College, Cambridge, From the Backs, Richard Banks Harraden, 1812
watercolor paintings in the yale center for british artcambridge in the 19th century
Near Tassisudon [Tashicho Dzong], Samuel Davis, circa 1783
watercolor paintings in the yale center for british artsamuel davis (orientalist)
Gambia - a sandy bay with figures walking and riding at Cape St. Mary, William John Chamberlayne
watercolor paintings in the yale center for british artwilliam john chamberlayne
A Dandy Quizzing a Mule's Head seen over a Stable Door, George Dance the Younger, after 1797
watercolor paintings in the yale center for british artdandies
A Scene between Galle and Matura, about Six Miles from Galle, Samuel Daniell, circa 1801
watercolor paintings in the yale center for british artgalle
Thomas Wilson Esquire, Henry Dawe
engravings in the yale center for british arthenry dawe
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7), Thomas Gaugain, 1797
stipple engravings in the yale center for british art1797 prints
Study of a tiger, Sawrey Gilpin
watercolor paintings in the yale center for british artwatercolor paintings of tigers
Vanity Fair: Musicians; 'Grand Opera', Mr. Henry Vincent Higgins, June 16, 1898, Leslie Ward
chromolithographs in the yale center for british artleslie ward
A cow resting under a tree, William Brockedon
drawings in the yale center for british artwilliam brockedon
Vanity Fair: Military and Navy; 'Doreen', General Smith Dorrien, December 5, 1901, Leslie Ward
chromolithographs in the yale center for british artleslie ward
Mrs. Knight a Famous Singer and Favourite of King Charles II, John Faber Junior
mezzotint prints in the yale center for british artjohn faber junior
Politians - Vanity Fair. 'Burials'. Mr. George Osborne Morgan. 17 May 1879, Leslie Ward
chromolithographs in the yale center for british artleslie ward
Do you want any Matches?, Antoine Cardon, 1794
aquatint prints in the yale center for british artanthony cardon
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure, John Doyle, 1849
lithograph prints in the yale center for british artjohn doyle
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