9,436 Free Images of Multi Colored

yale center for british art hand-colored aquatint prints in the yale center for british art aquatint etchings in the yale center for british art etching romanticism thomas rowlandson thomas sutherland james pollard

Shooting [set of six]: 1. Partridge Shooting, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

Sublime Oratory ______ A Display of it, Johann Heinrich Ramberg, 1788

etchings in the yale center for british art johann heinrich ramberg

Young Gentleman with a full Face and long, curled Wig, Edmund Ashfield, circa 1680

drawings in the yale center for british art edmund ashfield

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4), Thomas Rowlandson, 1801

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793

etchings in the yale center for british art romanticism

Canterbury, Francis Jukes, circa 1790

aquatint prints in the yale center for british art francis jukes

The Fair on the Thames, February 4, 1814, Luke Clennell

aquatint prints in the yale center for british art luke clennell

A set of four - Shooting: Plate II. Game found, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

Breaking up for the Vacation, John Doyle, 1840

lithograph prints in the yale center for british art john doyle

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820

aquatint prints in the yale center for british art james pollard

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

An Elevated View of the New Dock in Wapping, William Daniell, 1803

aquatint prints in the yale center for british art william daniell

Welgelegen:Vue du Pavillon de Harlem prise du Bois, Willem Hendrik Hoogkamer

engravings in the yale center for british art willem hendrik hoogkamer

Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804

aquatint prints in the yale center for british art william daniell

Set of six: 3. Hunter, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends, Thomas Rowlandson

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

To the British Nation, Thomas Sutherland, 1836

aquatint prints in the yale center for british art thomas sutherland

Männlicher Akt mit erhobenem Arm (stehend) -- Schindler, Osmar Schindler, c. 1890

nude males in drawings osmar schindler

Plate VI: London, Westminster Bridge and the Abbey, William Daniell, 1805

aquatint prints in the yale center for british art william daniell

Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side), 1804

aquatint prints in the yale center for british art william daniell

Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804

aquatint prints in the yale center for british art william daniell

Shooting [set of six]: 6. Packing up, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Millbank Looking Westward, Francis Jukes, 1796

aquatint prints in the yale center for british art francis jukes

Medical Intelligence - Extraordinary - A Coronation in Pall Mall, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784

etchings in the yale center for british art romanticism

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823,..., Edward Duncan, 1840

aquatint prints in the yale center for british art edward duncan

Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825, Edward Duncan

aquatint prints in the yale center for british art edward duncan

A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

Set of six: 6. Hack, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

The Ceremony of the Procession ad Montem, James Pollard

aquatint prints in the yale center for british art james pollard

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

The Destruction by Fire of the House of Parliament, Maxim Gauci

aquatint prints in the yale center for british art maxim gauci

Downe, Views of Kent, Francis Jukes, 1786

aquatint prints in the yale center for british art francis jukes

Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire, John Doyle, 1846

lithograph prints in the yale center for british art john doyle

A set of four - Shooting: Plate IV. Refreshing, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1792

etchings in the yale center for british art romanticism

Millbank Looking Eastward, Francis Jukes, 1796

aquatint prints in the yale center for british art francis jukes

A View Near Briton Causway, Francis Jukes, 1785

aquatint prints in the yale center for british art francis jukes

Coaching: The Cambridge Telegraph, Starting from the White Horse, George Hunt, 1831

aquatint prints in the yale center for british art george hunt

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Britania's Protection, or, Loyalty Triumphant, Thomas Rowlandson, 1800

etchings in the yale center for british art romanticism

The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786

etchings in the yale center for british art john william edy

Set of six: 1. Charger, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

This Plate representing the Opening of the St. Katharine Docks, on Saturday the 25th of October 1828, Edward Duncan, 1829

aquatint prints in the yale center for british art edward duncan

Hare Hunting: Doddington Beagles, Henry Pyall

aquatint prints in the yale center for british art henry pyall

Bardolph Badger'd Or the Portland Hunt, Thomas Rowlandson, 1791

etchings in the yale center for british art romanticism

Reformation - or - The Wonderful Effects of a Proclamation!!!, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Coaching: North-Country Mails at the Peacock, Islington, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

Set of six: 5. Tilbury Horse, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

The Derby Favorite, A Little Amiss, John Doyle, 1840

lithograph prints in the yale center for british art john doyle

Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793

aquatint prints in the yale center for british art samuel howitt

View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, 1803

aquatint prints in the yale center for british art thomas sutherland

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820

aquatint prints in the yale center for british art james pollard

Carlton House, Thomas Sutherland, 1817

aquatint prints in the yale center for british art thomas sutherland

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791

etchings in the yale center for british art romanticism

View on the Thames, George Hunt, 1836

aquatint prints in the yale center for british art george hunt

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Shooting [set of six]: 4. Wild Duck Shooting, James Pollard, 1825

aquatint prints in the yale center for british art james pollard

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785

etchings in the yale center for british art romanticism

Accurate Perspective View of the Outside of the Royal Exchange in London, Francesco Bartolozzi, 1788

aquatint prints in the yale center for british art francesco bartolozzi

A set of four - Shooting: Plate I. Going out, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

Shooting [set of six]: 5. Snipe Shooting, James Pollard, 1825

aquatint prints in the yale center for british art james pollard

View of the Worcester Race-Course and Grand Stand, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

The "Dilly" Looking Up, John Doyle, 1840

lithograph prints in the yale center for british art john doyle

Brothers of the Whip, Thomas Rowlandson, 1781

etchings in the yale center for british art romanticism

A Peep into the Retreat at Tinnehinch, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796

aquatint prints in the yale center for british art samuel howitt

Salisbury, New Council House, Francis Jukes, 1798

aquatint prints in the yale center for british art francis jukes

Shooting [a pair]: 1. Morning of the first of September, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

En Regimentstambour, Johann Heinrich Senn

prints by johannes senn in the statens museum for kunst colored etching

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

The Volcano of Opposition, Thomas Rowlandson, 1791

etchings in the yale center for british art romanticism

Set of six: 4. Pilot, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

Shooting [set of six]: 3. Grouse Shooting, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

St. Giles. Winner of the Derby Stakes at Epsom, 1832, Edward Duncan

aquatint prints in the yale center for british art edward duncan

Foot Ball, George Hunt, circa 1825

aquatint prints in the yale center for british art george hunt

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

An Irish Howl, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

A pair [Angling]: 1. Evening - October, Henry Pyall, 1832

aquatint prints in the yale center for british art henry pyall

Dr. Syntax Painting a Portrait, Thomas Rowlandson

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting, Samuel Howitt, 1796

aquatint prints in the yale center for british art samuel howitt

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

The Minister's Ass - Vide Gazetteer - November 11, Thomas Rowlandson, 1784

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting, Samuel Howitt, 1796

aquatint prints in the yale center for british art samuel howitt

Shooting [a pair]: 2. Evening of the First of September, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

The Cambridge Telegraph, starting from the White Horse, Fetterham, George Hunt

aquatint prints in the yale center for british art george hunt

Sir Cecil's Budget for Paying the National Debt, Thomas Rowlandson, 1784

etchings in the yale center for british art romanticism

A View on the Highgate Road, George Hunt

aquatint prints in the yale center for british art george hunt

Trotting Match in Harness Against Time, James Pollard, 1817

aquatint prints in the yale center for british art james pollard

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