9,436 Free Images of Multi Colored

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newtonjohn cawse
A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
etchings in the yale center for british artjames gillray
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The First of April or, A Meeting of Creditors, Samuel Collings, 1785
etchings in the yale center for british artsamuel collings
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Les Sacrefices Forces, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
Enjoying an Old Friend, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
The April Fool or The Follies of a Night ---, James Gillray, 1786
etchings in the yale center for british artjames gillray
Patriotism, Richard Newton, 1794
etchings in the yale center for british artrichard newton
John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Libertine Reclaim'd or John Bull Bullied, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Sleep-Walker, James Gillray, 1795
etchings in the yale center for british artjames gillray
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Devils - Parson Shooting, John Cawse, 1800
etchings in the yale center for british artjohn cawse
An Old Grudge, Richard Newton, 1795
etchings in the yale center for british artrichard newton
Field Marshall Count Suwarrow-Rominskoy ---, James Gillray, 1799
etchings in the yale center for british artjames gillray
The National Assembly Petrified _________/The National Assembly Revivified, James Gillray, 1792
etchings in the yale center for british artjames gillray
An Epilogue - to the Way to get Married, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Blonde woman leaning towards a baby swaddled in blue, Berthe Brincour
drawings by berthe brincour in the musée national d'archéologie, d'histoire et d'artcharcoal
Doctor Sangrado Relieving John Bull of the Yellow Fever, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Favorite Guinea Pigs Going to Market, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Prince at Grass --- The Prince in Clover, James Gillray, 1787
etchings in the yale center for british artjames gillray
Sin, Death, and the Devil, James Gillray, 1792
etchings in the yale center for british artjames gillray
Vices overlook'd in the New Proclamation, James Gillray, 1792
etchings in the yale center for british artjames gillray
Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
The Friendly Agent, James Gillray, 1787
etchings in the yale center for british artjames gillray
Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
The Pitt Fall, James Gillray, circa 1785
etchings in the yale center for british artjames gillray
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Auckward Squad, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Sailors and the Pounded Ass, Richard Newton, 1796
etchings in the yale center for british artrichard newton
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Royal Society, James Gillray, 1786
etchings in the yale center for british artjames gillray
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Corpor(e)al (!) Stamina., James Gillray, 1801
etchings in the yale center for british artjames gillray
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
No Reform, No Reform, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Bloemstuk, RP-P-OB-24.684, Cornelis Ploos van Amstel, 1778
etchings in the rijksmuseum amsterdamcolored etchings
The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
etchings in the yale center for british artjames gillray
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
A Flight of Parsons, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
An Astonishing Paragraph, Richard Newton, 1791
etchings in the yale center for british artrichard newton
A Brace of Blessings, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Pull Devil - Pull Parson, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
The Antiquities of Malmsbury, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
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