21,345 Free Images of Hand Painted

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newtonjohn cawse
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Buck & the Goose, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Corpor(e)al (!) Stamina., James Gillray, 1801
etchings in the yale center for british artjames gillray
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Salute, - Vide, The Parade, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Jack A Both Sides!, James Gillray, 1783
etchings in the yale center for british artjames gillray
Les Trois Magots, James Gillray, 1791
etchings in the yale center for british artjames gillray
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
etchings in the yale center for british artjames gillray
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Dutch Divisions, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Royal Society, James Gillray, 1786
etchings in the yale center for british artjames gillray
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Brace of Blessings, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Pull Devil - Pull Parson, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Antiquities of Malmsbury, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Patience on a Monument, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
The Misers Economy, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Prelude to Crim Con and The Finale, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Blow-up at Breakfast, Richard Newton, 1792
etchings in the yale center for british artrichard newton
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
An Astonishing Paragraph, Richard Newton, 1791
etchings in the yale center for british artrichard newton
A Flight of Parsons, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
Beheading (untitled), Richard Newton, 1796
etchings in the yale center for british artrichard newton
The Republican - Hercules Defending His Country, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Delegates in Council or Beggars on Horseback, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The Birth of Billy Bugaboo, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Half Seas Over, Alias the Hopes of the Family, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Pleasure of Being Kick'd Out of Company, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Opening the Ambassadors Ball in Paris, Richard Newton, 1794
etchings in the yale center for british artrichard newton
What a Cur ' tis, James Gillray, 1795
etchings in the yale center for british artjames gillray
A Visit to the Grandfather, How Do Grand Pa?, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
General Buonaparte, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
And The' - Tisick, - The Colic, Punch Cures The Gout, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Triumphant Britons, James Gillray, 1780
etchings in the yale center for british artjames gillray
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
A General Fast in Consequence of the War!!!, Isaac Cruikshank, possibly 1794
etchings in the yale center for british artisaac cruikshank
A Ward of Chancery, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Hopes of the Family in the Road to Preferment, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Summer Amusement at Farmer G-----'s Near Windsor, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Saint Catharine and St. George, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Little Farthing Rush Light, Isaac Cruikshank, circa 1792
etchings in the yale center for british artisaac cruikshank
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, James Gillray, 1791
etchings in the yale center for british artjames gillray
Essay on Duelling - Anglice Doing = Him!, Samuel Collings, 1789
etchings in the yale center for british artsamuel collings
Plunderer Beating Duplicity - or - Amusements at Cairo, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Hackney Meeting, James Gillray, 1796
etchings in the yale center for british artjames gillray
Queen Catherine's Dream, Richard Newton, 1794
etchings in the yale center for british artrichard newton
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Watchman of the State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Royal Recreation, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799
etchings in the yale center for british artjohn cawse
Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The R't Hon'ble Catch Singers, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Siphon's or Tale of a Tub, James Gillray, 1783
etchings in the yale center for british artjames gillray
A Serious Thought of a Plain Englishman, in 1793, Richard Newton
etchings in the yale center for british artrichard newton
Bachelor's Hall, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
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The Duelist's or Sunday's Amusement, Isaac Cruikshank, 1798
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A Stroke at the Plenipo or Mary's Mistake, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Gloria Mundi, or The Devil Addressing the Sun, James Gillray, circa 1782
etchings in the yale center for british artjames gillray
A Lesson for Princes, Isaac Cruikshank, 1796
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The Funeral Procession of Miss Regency, James Gillray, 1789
etchings in the yale center for british artjames gillray
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