23,319 Free Images of Hand Colored

etchings in the yale center for british artetchingyale center for british artjames gillrayisaac cruikshankrichard newtonjohn cawse
All of One Mind or a Mutual Agreement amongst Traveller, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
Over Weight - or the Sinking Fund - or the Downfall of Faro, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The Freemen Triumphant or the Mare Foald or Here Folly, Isaac Cruikshank, possibly 1789
etchings in the yale center for british artisaac cruikshank
A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, James Gillray, 1791
etchings in the yale center for british artjames gillray
Plan of Mud Island, off the Kingdom of Corsica, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Peace Offering to the Genius of Liberty and Equality, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Wet Party or the Bogs of Flanders, a New Song, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again, James Gillray, 1792
etchings in the yale center for british artjames gillray
Rear View of a Man Caricaturing the Current Costume Fashion, James Gillray, 1802
etchings in the yale center for british artjames gillray
Portrait of Federico Borromeo (1564-1631), Giulio Cesare Procaccini, 1610
paintings by giulio cesare procaccini in milanpaintings in the museo diocesano (milan)
The In's and the Outs of the Jesuits Treatment of his Friends, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence", James Gillray, 1791
etchings in the yale center for british artjames gillray
A Sun Setting in a Fog, With The Old Hanover Hack Descending, James Gillray, 1783
etchings in the yale center for british artjames gillray
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes, James Gillray, 1782
etchings in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!, Isaac Cruikshank, circa 1796
etchings in the yale center for british artisaac cruikshank
Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Necessary War or Quixotism Revived, or The Knight of the Little House, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John, James Gillray, 1782
etchings in the yale center for british artjames gillray
Hand made
artisttable
Great Dane
animalsdog
[Group portrait of two female children and two female servants of Jean-Gabriel Eynard], about 1850
daguerreotype portraits of switzerland1850s portrait photographs
Mit dem Selbstmord Spielen (Playing with Suicide), Walter Gramatté, 1919
prints in the national gallery of art (washington, d.c.)expressionism,magic realism
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791
etchings in the yale center for british artjames gillray
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1797
etchings in the yale center for british artjames gillray
British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes), Richard Newton, 1795
etchings in the yale center for british artrichard newton
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
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